Kindle Unlimited
Unlimited reading. Over 4 million titles. Learn more
OR
Kindle Price: $6.99

These promotions will be applied to this item:

Some promotions may be combined; others are not eligible to be combined with other offers. For details, please see the Terms & Conditions associated with these promotions.

You've subscribed to ! We will preorder your items within 24 hours of when they become available. When new books are released, we'll charge your default payment method for the lowest price available during the pre-order period.
Update your device or payment method, cancel individual pre-orders or your subscription at
Your Memberships & Subscriptions

Buy for others

Give as a gift or purchase for a team or group.
Learn more

Buying and sending eBooks to others

  1. Select quantity
  2. Buy and send eBooks
  3. Recipients can read on any device

These ebooks can only be redeemed by recipients in the US. Redemption links and eBooks cannot be resold.

Kindle app logo image

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.

Read instantly on your browser with Kindle for Web.

Using your mobile phone camera - scan the code below and download the Kindle app.

QR code to download the Kindle App

Something went wrong. Please try your request again later.

Fabric a la Romantic Regency: A Glossary of Fabrics from Original Sources 1795 – 1836 Kindle Edition

4.1 4.1 out of 5 stars 8 ratings

A record of who wore what and when, from royalty to the very poor, including uses, contemporary opinions, technical information, and the occasional definition, this book covers fabric in English fashion from 1795 to 1836, technically the Directoire, Empire, Regency and Romantic eras. It also covers many French fabric terms as recorded by the English.

At the beginning of this period, fashion very rapidly changed from the stiff Georgian styles into the soft and flowing Directoire dresses, somewhat imitating ancient Greek clothing. The fabrics they used changed accordingly.

What was fashionable with the upper class one year might be considered far too common the next, when the middle class was able to buy it. Machine-made lace became popular during these decades, fashionable at first, but becoming less and less expensive. Many lace makers were put out of work before handmade lace became fashionable – and extremely costly – again.
Some materials were considered appropriate only for the working poor. And the cheapest, roughest, worst-woven fabrics were deemed suitable for poor house inhabitants and slaves.

Intended for the use of costume historians, Regency dance enthusiasts and re-enactors, literary scholars, historical writers and history buffs, anyone who has questions about fabric from 1795 to 1836 will find answers in these pages.
Read more Read less

Add a debit or credit card to save time when you check out
Convenient and secure with 2 clicks. Add your card

Editorial Reviews

About the Author

I'm the owner of the Mantua-Maker Historical Sewing Patterns, established in 1994. My costuming career began early, making dresses for my sister's dolls. I discovered costuming at the BayCon masquerade, a science fiction convention held in 1985, and soon thereafter fell in love with historical costuming. After many years of collecting historical clothing terms, I decided to assemble and share them with other costume historians. I hope you enjoy my work.

Product details

  • ASIN ‏ : ‎ B00ILSVH3W
  • Publisher ‏ : ‎ The Mantua-Maker (January 1, 2013)
  • Publication date ‏ : ‎ January 1, 2013
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 2326 KB
  • Simultaneous device usage ‏ : ‎ Unlimited
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 330 pages
  • Page numbers source ISBN ‏ : ‎ 149298745X
  • Customer Reviews:
    4.1 4.1 out of 5 stars 8 ratings

About the author

Follow authors to get new release updates, plus improved recommendations.
Deb Salisbury
Brief content visible, double tap to read full content.
Full content visible, double tap to read brief content.

I adore nineteenth-century fashion magazines. I love Victorian-era sewing books even more.

Learning to sew in the loose-fitting fashions of the later twentieth century gave me no hint of the intricacies of structured clothing, or of the amazing things women were willing to put themselves through to trim their gorgeous dresses. This jeans and sweat-shirt girl quickly learned to appreciate the techniques those seamstresses employed. After many years of collecting, I wanted to share their original writings with other historical-dress enthusiasts.

I’m the owner (and sole employee) of The Mantua-Maker, quality historical sewing patterns for the modern sewing artist, established in 1993. I fell in love with costuming when my boyfriend took me to BayCon’s Masquerade in 1986, and I’ve been making historical and fantastic clothing ever since.

My designs have won awards at World Con, Costume Con, WesterCon, and BayCon.

I also write fantasy novels as D. J. Salisbury.

Customer reviews

4.1 out of 5 stars
4.1 out of 5
8 global ratings

Top reviews from the United States

Reviewed in the United States on January 22, 2016
astounding resource for regency fabrics and other fashion sundries of the era. Pairs well with Regency Women's Dress: Techniques and Patterns 1800-1830 and The Lady's Stratagem: A Repository of 1820s Directions for the Toilet, Mantua-Making, Stay-Making, Millinery & Etiquette
2 people found this helpful
Report
Reviewed in the United States on April 29, 2017
It's difficult to give a limp review to any book in the tiny world of Regency, especially since the authors are such help to one another. But I must confess disappointment, rather severe disappointment with this book. It is not at all what I expected. Nor is it, to be fair, what I was led to believe it was by the Look Inside.

Anyone who even tiptoes through the Regency knows that fabric was as important to these people as the way it was cut. They were obsessed with it, and consequently, were constantly tossing around names of fabrics known to them that are long forgotten. Ms Salisbury says in her very good introduction, which I was allowed to see before purchase, that this is so, and makes it difficult to always have much of a definition of what a particular cloth was. I understand. What I was not permitted to see was a typical listing. If I had, I wouldn't have bought it. This very large book is an absolutely encyclopedic list of places in which the name of each cloth is found, with pieces of quotes from some of the sources, everything from a few words out of a 1797 dictionary to La Belle Assemblee to the Gazette. I don't own every copy of La Belle Assemblee. Even if I did, this would be cumbersome. And words from the reference without a picture are little help, discovering it was "an autumnal brown wrap-coat with sleeves of twill and sarcenet." Ok. So? What is sarcenet? I was expecting at least a couple of sentences describing this cloth - its typical uses, for rich ladies or middle-class, summer weight or winter, typical colors. What I'm instead generally left with is very little, and nothing I can put together without going to the sources cited. In truth I'm making it sound more helpful than it is. With a very common dress material, like sprig muslin, there is no statement concerning what it was, what it looked like, was it fashionable throughout the period, was it embroidered or block-printed, etc. I did find some small quotes that seemed to be instructions to a professional loom operator of the period. Again, not helpful. These references are great I suppose for someone doing in-depth research, but I was hoping for a couple of general sentences from the author herself. You don't get that. Therefore, some listings, like sarcenet, will give you a few dictionary words, "fine thin woven silk," others don't. It doesn't give you too much even at that. This listing starts with "a white crape petticoat" and a reference to the magazine I must dig up that may or may not offer a picture. Cumbersome, and not what I expected.

I saw her other book, Elephant's Breath and London Smoke, that was strictly colors, where you do get to see a typical entry. But I have several books on colors, as well as the invaluable OED, and therefore can almost always discover what a color was. OED doesn't usually discuss fabric, certainly not in anything like detail. So far, I can't find anything that does, in at least general and helpful terms.
5 people found this helpful
Report
Reviewed in the United States on January 3, 2015
I produce historical costumes for use in a museum as well as by reenactors. As such, I am on a constant pursuit of accuracy, particularly when it comes to fabrics. While I initially put this book on my wishlist because I thought it would have a lot of images (I suppose I could have read the description more carefully), I found that the opposite was true--no pictures at all.

That being said however, the book instead is chock-full of references to obscure fabric names from the period, complete with references from periodicals of the time. Woot! This is ever-so-useful if you spend a lot of time reading fashion descriptions and are wondering "What the hell is paduasoy?"

My only complaint is that the references are laid out in such a way that they are a little difficult to separate and decode: all of the references for one term are basically jammed into one paragraph, and it's like reading several hundred pages of footnotes.

So my feeling is this--it's an immensely useful book for academics and serious reproducers of historic costume. For anyone who would prefer to drool over some eye candy in a glamorous picture book, this one isn't going to be a good choice.
9 people found this helpful
Report
Reviewed in the United States on October 5, 2014
Fantastic well worth the cost.
One person found this helpful
Report
Reviewed in the United States on May 29, 2016
Useful collection of period comments on fabrics. This resource will work best for you if you already know (or have read/heard) a term for a certain fabric and wish to know more about it. Fabrics are alphabetized by name, with comments from sources (usually fashion magazines) of the time. Thus, it is a great resource to have on hand if you need to look up "pamyrienne" or "satin Rachelle", as it will provide definitions and descriptions from original sources from the era.

This book will not be AS useful in stand-alone form for the user who is wishing to peruse fabrics by category -- for instance, by evening dress. Rather, this is the book you turn to if you already HAVE a list of fabrics used for evening dresses, and you want to know what those terms actually mean (and see them used in context). :)

Additionally, the author notes that although one fabric might be described as the height of fashion one year, it may be deemed common in the next. For that reason, the dates of the sources have been provided so the reader can discern the popularity of a fabric by year.
4 people found this helpful
Report

Top reviews from other countries

Edward Greensword
3.0 out of 5 stars However it will be a useful and informative reference to the fabric types with their ...
Reviewed in the United Kingdom on January 19, 2015
Not quite what we expected. Purely definitions and descriptions with no illustrations or examples. However it will be a useful and informative reference to the fabric types with their names and applications in the Regency period.
One person found this helpful
Report
Report an issue

Does this item contain inappropriate content?
Do you believe that this item violates a copyright?
Does this item contain quality or formatting issues?