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Grace Bridges
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Mariah's Dream (The Vortex of Éire Book 1) Kindle Edition

by Grace Bridges (Author) Format: Kindle Edition
4.3 4.3 out of 5 stars 15 ratings
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How far would you chase hope?

What if you could change the world?

The green has gone from Mariah's Ireland. Every garden and field that was once lush with crops is now lifeless muck. And yet Mariah holds one seed...the seed of hope.

Together with Liam, her staunchest supporter, Naomi the biologist, Deborah, whose son sold out to the Senate, and Peter the farm boy, she sets out to make Ireland green again. That is Mariah's hope. It is Mariah's dream.

Mariah's dream will change everything.
Previous page
  1. Book 1 of 8
    The Vortex of Éire
  2. Print length
    294 pages
  3. Language
    English
  4. Sticky notes
    On Kindle Scribe
  5. Publication date
    July 19, 2015
  6. File size
    5731 KB
  7. Page Flip
    Enabled
  8. Word Wise
    Enabled
  9. Enhanced typesetting
    Enabled
  10. See all details
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Editorial Reviews

From Publishers Weekly

The first installment in Bridges’s Vortex of Éire series paints an evocative portrait of a not-so-distant future, rife with hardship and famine, but Bridges does not inject enough new material to make her dystopian world unique. Mariah is a young woman living in a desolate Belfast, ruled over by the rigid international Senate, a governmental organization controlling the population through strict vaccinations and food rationing. Mariah and her friends hatch a secret plot to grow crops, a form of rebellion that could endanger the lives of many. Bridges writes with a distinct voice; the setting is brought to life by her clever use of dialects and local accents. The focus on agriculture is a fresh idea, as it is often overlooked in postapocalyptic fiction. However, the conventional plot, wherein a dissatisfied populace rails against an overbearing dictatorship, leaves this dystopian tale floundering in a sea of similar works. (BookLife)\n

Review

...The present meets the future with interesting results. Grace Bridges has created an unforgettable future world combining the worst fears of Big Brother and government control in Mariah's Dream. Three stories unfold simultaneously: Faith in the present, Mariah in the future, and a nameless dog who helps fill in the gaps about the condition of the small Irish coastal town where Mariah lives. Intense hardship and the depth of emotions associated with the struggle for survival are clearly depicted, but the resilience of the human spirit is also well represented in strongly developed characters. Mariah's Dream is not only a well written cautionary tale about the unbridled power of government and the consequences of science that is abused, but also a testament to the determination of people to survive in spite of the odds. Great story! - Reviewed by Melinda Hills for Readers' Favorite

Product details

  • ASIN ‏ : ‎ B00ZM0HX6W
  • Publisher ‏ : ‎ Splashdown Books (July 19, 2015)
  • Publication date ‏ : ‎ July 19, 2015
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 5731 KB
  • Simultaneous device usage ‏ : ‎ Unlimited
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 294 pages
  • Page numbers source ISBN ‏ : ‎ 192715443X
  • Customer Reviews:
    4.3 4.3 out of 5 stars 15 ratings

About the author

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Grace Bridges

Grace Bridges

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Grace Bridges has been in love with language and art, and the art of language, for her entire life. She’s a semi-professional cat herder and also translates German and French. Indie publishing and freelance editing have been her focus for the past ten years, including 40+ titles in her Splashdown Books brand. She has written several novels in space opera, Irish cyberpunk, and in 2017 the EARTHCORE science mythology YA series set in New Zealand. Her short stories and non-fiction appear in many anthologies and online magazines. Grace loves to show people that it’s easy to make books—but also insists on top quality writing and design. She has served five years on the committee of New Zealand writers' group SpecFicNZ and is its current president. See www.gracebridges.kiwi for information on her art, fiction and non-fiction, editing work, and more.

Customer reviews

4.3 out of 5 stars
4.3 out of 5
15 global ratings

Top reviews from the United States

Teddi Deppner
4.0 out of 5 stars Dystopian with some unexpected twists
Reviewed in the United States on December 10, 2015
Verified Purchase
Mariah's Dream took me on a trip. A trip to the future, to Ireland, and to ideas I'd never imagined. I enjoy sci-fi and dystopian tales, and this had some elements of both. The science was relevant, fascinating and horrifying: what if genetic manipulation wiped out most natural sources of food? What if a worldwide organization controlled the world's food supplies?

The setting was exotic, by my suburban CA standards. By the end of the story, I felt familiar enough with some parts of coastal Ireland to imagine that I could navigate the area myself. I like that sort of description in a book.

But also, the story took several turns that I did not expect, and that was not only a delight, but a delightful surprise. Not many stories these days break out of the predictable mold. Kudos to the author for doing something unexpected.

I liked the characters, really related to the strong leadership role that Mariah took, and enjoyed the relationships she built along the way. Romance, friendship, forgiveness and humanity. A great dystopian / post-apocalyptic type read.
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Sherry Thompson
5.0 out of 5 stars Near-Future Dystopian Novel That's More Complex Than You Think
Reviewed in the United States on August 25, 2015
Verified Purchase
I became familiar with Kiwi author and publisher (Splashdown Press), Grace Bridges, almost a decade ago when I was invited to join the online authors group, Lost Genre Guild. I read extracts of Aqua-Synthesis (a series of interconnected SF stories) all written by LGG members including Grace.

She began writing a near-future SF novel titled Cyber-Dublin in about 2009-10. I read the manuscript before its publication and enjoyed it--chiefly because of her characters and one particularly cool setting near the ocean. I bought the paperback and I’m very glad that I did since it appears to be out of print. (Maybe there will be a revised edition?)

Grace sent me the antepenultimate (next to next to last ;-D) pdf version of "Mariah’s Dream" well over a month ago. As much as I wanted to begin reading as soon as I opened the file, "life" intervened.

I began reading "Mariah's Dream" in the worst possible way--snatching five or ten minutes and spending half that time looking for where I'd left off. I have a Kindle and I read news and nonfiction online sometimes for hours but I'm old-fashioned when it comes to reading fiction. Quality fiction is best read offline in the comfy chair next to a reading lamp. And coffee. And chocolate. Or outside amidst the rustling shade of trees.

Was the paperback edition of "Mariah's Dream" out yet?

What happened next would Grace’s fault. This claim may be difficult to describe much less defend.

Five years ago I began reading "Cyber-Dublin". After reading just a few pages of it, I knew I could relax and let Grace's characters draw me along into their lives and even their thoughts. With Grace, I’m no longer part reader and part manuscript editor—a frame of mind authors have to battle whenever we read for pleasure. I can trust this author to tell an interesting story--free of plot gaps and sloppy characterization.

I stopped reading (again) and opened Amazon-US. Mariah's Dream was out in paperback. For some reason, only one copy was available. I ordered it at once lest it escape me. When my c/o/p/y storyteller arrived I offered her the other comfy chair and settled in for what I already knew would be an absorbing character-driven story.

~~~~~

GENRE. SETTING.
I read more fantasy than I do SF so when reading the latter I prefer stories set in the near-future like Mariah’s Dream. However, I tend to dislike dystopia. I get depressed enough without reading entire books where every scene is set against a dystopic background. Either the characters need to escape from their nightmare life or I need to escape from the book.

Mariah’s Dream appeals to me in spite of the dystopic environment thanks in part to several characters I’ll describe later. And thanks to a variety of settings featuring the Irish countryside, its ancient paths and stone works, quaint villages and, above all, scenes in which water is more than a stage setting. Grace “does” water very well probably because she’s enamored of it.

To be clear, not every setting in Mariah's Dream made me wish I had a bayside cottage in Balmar. I blame the World Parliament for that not Grace. Well, mostly not Grace.

This near-future version of Earth is about as dystopian as they get. Horrifying human-created settings lurk along Belfast/Bangor waterfronts, have taken up habitation in the suburbs, and poisoned the surrounding countryside of Ireland. The first few “Mariah” chapters each begin in places populated by people in the grip of terror, despair or rage--whether near city hall, downtown workplaces, or in outlying prison-farms. Haunting fear and hopelessness have invisible roles in nearly every scene.
~~~~~

WARNING: I TRIED TO LIMIT READER SPOILERAGE IN THE REMAINING SECTIONS
BUT THE ONLY WAY TO GUARANTEE A SPOILER-FREE FICTION REVIEW IS NOT WRITE IT.

~~~~~

THE BACK STORY
How did everything get this way? In the recent past and for reasons unknown, members of the “World Parliament” sowed the soil of Ireland with the “termination gene". The Irish and the peoples of other lands were not told the WP’s objective. The gene killed every plant and effectively prevented the germination of any remaining seeds. Sterile soil and mud replaced expanses of thriving green plants not just in Ireland but throughout Europe and beyond.

Forgive the understatement but whatever those in power expected, this wasn’t it.

“Mariah’s Dream” begins some time after this disastrous decision. Scientists may be working to develop terminator-resistant fertilizers. Agricultural workers held captive on experimental farms may be using these compounds and other methods to restore vital food crops. It’s not going well, as evidenced by strict food rationing.

Once this eco-disaster have been established as universally endemic, the author adds a new level of horror in the form of a plague which kills most of the surviving population and eventually adapts to natural forms of resistance in the survivors.
~~~~~

THE "ICK" FACTOR
I feel the graphic details of each plague death parallel previous and subsequent deaths too closely. I learned soon enough and more than enough about how this disease progresses so I began to skim paragraphs when I saw what might be a death scene developing.
To be blunt, I wanted more about the human reactions and less about how much vomit or blood was on the ground.

And to be fair, we see the horrified reactions of new victims, the selfless efforts of others trying to ease their suffering, and cruelly drawn-out grief of friends from the first signs of infection until the last breath.

Even when death is not an immediate concern to the characters, empty houses, abandoned cars and starving farm animals remind them, and the reader of the devastation since the sowing of the termination gene.

The one "good thing" you can say about a plague during a famine is, once it roars in, the spectre of famine seems less terrifying.

I've thought a lot about this plague--from back when I read scenes describing the first deaths to this moment. All I'll say for now is, read the book and see what you think. Maybe later we can discuss our theories in the Comments section or elsewhere. You were going to read "Mariah's Dream"anyway, right?
~~~~~

CHARACTERS

Two Irish women take turns as point-of-view characters and the chapter titles reflect this. For example Chapter 1 is, “Mariah, June 2079”. The next chapter features “Faith”. The name “Mariah” appears in the book title and in the title of the first chapter. That was enough to establish Mariah as a major character, perhaps the central character. Likewise her dream must be important to her--and to the reader.

Mariah’s chapters tend to be longer than Faith’s so we see more scenes through her adult eyes than we do from teenaged Faith’s point-of-view. Mariah also serves as narrator or journal keeper. I engaged with Mariah more than any other character, except one. Maybe this is an age thing--I’m older than most of the characters.

I had other reasons for not wanting to identify with Faith. She is the victim of bullying many times in her life. Some scenes can be painful to read. For the most part, she gives into the wishes of the other person.

At least until she doesn’t.

Finally, Faith's story takes place half a decade before Mariah’s initial chapter begins. Could any event from that long ago in Faith's life be essential to the plot? Even the “terminator disaster” occurred more recently than the events in Faith's story. When I began reading, I worried that Faith would turn up in the last chapter as a character even older than I am. Spoiler alert: she doesn't.

Sometimes I would forget this discrepancy in years between chapters, in spite of every chapter title reminding us of the year. This was confusing. Don't do this.

My attention perked up once Faith was a bit older and able to put all those negative experiences behind her. It was like the “Kick Me” sign had fallen off her back. She proved to be remarkably resilient. I became a fan.

Perhaps halfway through the book I began to feel that something odd was going on. “Something odd.” Oh, that helps. I told myself I was either imagining this something or I should have identified what it was by now. At least I had the sense to let it go and get back to the story.

As I wrote to friend and fellow author, Mike Dunne,
“…as to what I'm going to say review-wise... I know some of it. Wow! This is good writing! So good that I'm managing to enjoy a dystopian near-future scenario! The characters are richly developed and mostly very likeable--except the ones that aren't supposed to be. You already know how important good characterization is to me.

"But there's something else going on under the surface which I'd like to figure out real soon now. I mean before Grace provides the answer. I just hope it's not something devastating but then that's not Grace. (I hope.)”

"When you read Mariah’s Dream, take care that no one spoils the plot for you. I think, I hope, that you will enjoy being puzzled as much as I was."
~~~~~

Where was I? Oh, characters. My other human favorites were Darian and Peter—both because of their romantic attachments. You may enjoy getting to know Peter particularly in the way the author introduces him. Unlike Faith, I took an interest in Darian as soon as his character was introduced because of the cruelties he experienced.

I didn’t know what to make of Lzu until I realized that her emotional outbursts were just those of a young teen saying what she felt. I admired Naomi for her idealism and because she is so at one with her little bit of the world—almost to the point of being its mother. But Naomi is no barely human “nature goddess” incapable of making bad choices. When she makes a mistake, we can count on it to have repercussions.

My favorite character is Rufus, a stray dog, perhaps the last dog living anywhere in Ireland. Rufus is a sympathetic character from his first scene to his last. I wonder if Grace gave Rufus more scenes than she originally intended to. In the beginning, she uses him as an independent observer to actions that no human character witnesses--a plot device more than a character, introduced to aid readers.

Because of his unique role, Grace gives Rufus human skills like seeming to understand human speech. Even dog-lovers might be reluctant to claim that skill for their furry friends. In time, Rufus breaks out of this restrictive role. He finds a home with some characters in service to the plot, but Rufus develops into a (full) character in his own right.

No question. Rufus is my favorite character. I was more invested in his welfare than anyone else.
~~~~~

The sheer number of characters in Mariah’s Dream would challenge the casts of some Russian novels. As the vendors say at sporting events, “Programs! Can’t tell the players without a program!” As soon as I finished reading the story, I went through Grace’s novel a second time, intending to gather up and write down every name I saw together with a couple of key words to remind me who they were. I was less than halfway through the book when I gave up on my cast of thousands list and switched to rereading the rest. I'm so glad I did this! I caught on to things the second time though that I hadn't noticed the first time.

What's better than a good book? A good book that invites a second reading.

~~~~~

A PLOT POSTSCRIPT -- In lieu of discussing the plot.
I’m always fascinated by the fiddly details in survival stories which involve people grappling to gather the basic essentials of food and shelter. I cheer with them each time they make a discovery and hurt with them when a promising find turns out to be useless. Once the survivors secure the essentials needed to live, Grace refocuses the action on the slow acquisition of "creature comforts" sometimes discovered by accident, other times searching a likely place looking for a particular thing.

In the world of “Mariah's Dream” these moments are no Saturday afternoon treasure hunt meant for the amusement of neighborhood children. Most characters are still in potential deadly danger. Established characters do die, sometimes without much warning to friends or the reader.

Some of these searches subtly drive the plot in ways you may not expect.
~~~~~
I recommend Grace Bridge's "Mariah's Dream" (The Vortex of Eire, 1) to readers who enjoy near-future dystopia SF ; to those who are interested in Ireland's geography, history and customs; to those concerned about sustainable agriculture, world hunger, conservation and ecology. Recommended for adults and very mature young adults: violence, graphic images of deaths mostly from disease, gruesome imagery. Language and sexual situations sometimes drift into the US film industry's PG-13 range.
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Annie Douglass Lima
4.0 out of 5 stars 3.5 Stars, but I'll Round Up
Reviewed in the United States on March 5, 2024
1st Half of the Book:
5 stars. An exciting story told in an engaging way. It was hard to put the book down. The dystopian situation was believable, and the progression of events followed logically. Characters' actions made sense in light of everything that was happening. The two alternating storylines kept me guessing as I tried to figure out how they could be connected.

2nd Half of the Book:
2 stars. The writing style changed abruptly, with long stretches of "telling" (summarizing events) instead of "showing" (letting events actually play out). Numerous happenings (including some very unlikely ones that never actually got explained) conveniently took place for no apparent reason than that they were needed to bring about the next major event. It became clear how the alternating storylines were connected (and some details connected quite cleverly), but many pieces of the earlier storyline had no effect on the overall plot and didn't seem necessary at all. At the end (mild spoiler alert) no answers were given as to whether everything the characters had gone to so much trouble to set up was even successful for their purposes.

The first half of the story was excellent and well thought out. The second half felt as though it had been thrown together in a rush. On the plus side, the settings were vividly described, and it was easy to picture what it was like there. The whole book had been proofread well, with very few typos or grammar errors. For those reasons, I'm rounding up and giving it four stars out of five.
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