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Barracoon: The Story of the Last "Black Cargo" Kindle Edition
New York Times Bestseller • TIME Magazine’s Best Nonfiction Book of 2018 • New York Public Library’s Best Book of 2018 • NPR’s Book Concierge Best Book of 2018 • Economist Book of the Year • SELF.com’s Best Books of 2018 • Audible’s Best of the Year • BookRiot’s Best Audio Books of 2018 • The Atlantic’s Books Briefing: History, Reconsidered • Atlanta Journal Constitution, Best Southern Books 2018 • The Christian Science Monitor’s Best Books 2018 •
“A profound impact on Hurston’s literary legacy.”—New York Times
“One of the greatest writers of our time.”—Toni Morrison
“Zora Neale Hurston’s genius has once again produced a Maestrapiece.”—Alice Walker
A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade—abducted from Africa on the last "Black Cargo" ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.
Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.
- LanguageEnglish
- PublisherAmistad
- Publication dateMay 8, 2018
- File size9587 KB
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Editorial Reviews
Review
Hurston's recovered masterpiece, Barracoon, is a stunning addition to several overlapping canons of American literature...[Hurston] makes herself almost invisible in this book, dedicating entire chapters to Kossola's monologues, with few authorial interventions.
-- "Washington Post"Though both Hurston and Lewis are long gone, Hurston's account of the former slave's life serves as a timely reminder of our shared humanity-and the consequences that can occur if we forget it.
-- "People"A remarkable account...whose brevity disguises its richness and depth...Kossola (aka Cudjo)...was nineteen years old when he was sold into slavery; thus, his accounts of folkways and traditions offer more graphic and personal immediacy than other surviving narratives of the slave trade...Kossola's story-in the vernacular of his own words-is an invaluable addition to American social, cultural, and political history.
-- "Publishers Weekly (starred review)"A man who lived across one century and two continents, Kossola's life was marked, repeatedly and relentlessly, by loss: of his homeland, of his humanity, of his given names, of his family. For decades, his full story, from his perspective and in his voice, was also lost, but with the publication of Barracoon, it is rightfully restored.
-- "Smithsonian "Barracoon and its long path to print is a testament to Zora's singular vision amid so many competing pressures that continue to put us at war with ourselves.
-- "Huffington Post "A testament to the enormous losses millions of men, women, and children endured in both slavery and freedom-a story of urgent relevance to every American, everywhere.
-- "Tracy K. Smith, Pulitzer Prize-winning author "[Hurston] was determined to present Kossola's story in as authentic a manner as possible. That authenticity includes rendering his words in patois...That mark of the griot, or West African traditional storyteller, is evident as Kossola recounts moments of resistance...We are fortunate to have this late work of Hurston's, which is sure to be widely read.
-- "Kirkus Reviews"Capturing the dialect, accent, and intonation of Cudjo Lewis, then living in Alabama, presents a challenging task for narrator Robin Miles, who must deliver one of the integral aspects of Hurston's work: a reconstruction of Lewis' African and Southern accents. Miles' rendition is well done, with clear, deliberate diction that places appropriate emphasis on Lewis' emotional reactions. Also included is an introduction to Hurston's work. Traditional music at transition points sets the mood of the rural South. Winner of the AudioFile Earphones Award.
-- "AudioFile"An impactful story that will stick with you long after the final page.
-- "Parade"Zora Neale Hurston's genius has once again produced a Maestrapiece.
-- "Alice Walker, Pulitzer Prize-winning author "His story, documented by Hurston in Lewis' specific vernacular, is performed here by audiobook great Robin Miles, who not only nails the accents but strikes the exact balance between the warmth in Hurston's internal narration and the conversational eccentricities of her spoken conversations with Lewis. A new Zora Neale Hurston book is something that by definition never happens, so don't sleep on this necessary, entertaining listen.
-- "Paste Magazine (audio review)"Kossula's story reminds us that Emancipation did not end those assaults on the communities and families of African Americans but rather enabled their continuation through other means.
-- "Nation"This is a rare account of the full experience of enslavement from capture to 'freedom' and a revealing look at Hurston's maturing as a folklorist.
-- "Library Journal"Barracoon is a testament to [Zora's] patient fieldwork.
-- "Vulture"Brimming with observational detail from a man whose life spanned continents and eras, the story is at times devastating, but Hurston's success in bringing it to light is a marvel.
-- "NPR"The details he shared with Hurston are indelible...[In] Hurston's attentive gaze [there is] not restitution but the consolations of kinship and witness.
-- "New York Times Book Review"From the Back Cover
From the author of the classic Their Eyes Were Watching God comes a landmark publication – a never-before-published work of the American experience.
In 1927, Zora Neale Hurston traveled to Plateau, Alabama, to visit eighty-six-year-old Cudjo Lewis, a survivor of the Clotilda, the last slaver known to have made the transatlantic journey. Illegally brought to the United States, Cudjo was enslaved fifty years after the slave trade was outlawed.
At the time, Cudjo was the only person alive who could recount this integral part of the nation’s history. As a cultural anthropologist, Hurston was eager to hear about these experiences firsthand. But the reticent elder didn’t always speak when she came to visit. Sometimes he would tend his garden, repair his fence, or appear lost in his thoughts.
Hurston persisted, though, and during an intense three-month period, she and Cudjo communed over her gifts of peaches and watermelon, and gradually Cudjo, a poetic storyteller, began to share heartrending memories of his childhood in Africa; the attack by female warriors who slaughtered his townspeople; the horrors of being captured and held in the barracoons of Ouidah for selection by American traders; the harrowing ordeal of the Middle Passage aboard the Clotilda as “cargo” with more than one hundred other souls; the years he spent in slavery until the end of the Civil War; and finally his role in the founding of Africatown.
Barracoon employs Hurston’s skills as both an anthropologist and a writer, and brings to life Cudjo’s singular voice, in his vernacular, in a poignant, powerful tribute to the disremembered and the unaccounted. This profound work is an invaluable contribution to our history and culture.
About the Author
Henry Louis Gates, Jr., has been one among many to ask: "How could the recipient of two Guggenheims and the author of four novels, a dozen short stories, two musicals, two books on black mythology, dozens of essays, and a prize winning autobiography virtually 'disappear' from her readership for three full decades?"
That question remains unanswered. The fact remains that every one of Hurston's books went quickly out of print; and it was only through the determined efforts, in the 1970s, of Alice Walker, Robert Hemenway (Hurston's biographer), Toni Cade Bambara, and other writers and scholars that all of her books are now back in print and that she has taken her rightful place in the pantheon of American authors.
In 1973, Walker, distressed that Hurston's writings had been all but forgotten, found Hurston's grave in the Garden of Heavenly Rest and installed a gravemarker. "After loving and teaching her work for a number of years," Walker later reported, "I could not bear that she did not have a known grave." The gravemarker now bears the words that Walker had inscribed there:
ZORA NEALE HURSTON
GENIUS OF THE SOUTH
NOVELIST FOLKLORIST ANTHROPOLOGIST
(1891-1960)
In Brief
Zora Neale Hurston (1891-1960) was a novelist, folklorist, and anthropologist whose fictional and factual accounts of black heritage are unparalleled. She Is the author of many books, including Their Eyes Were Watching God, Dust Tracks on a Road, Tell My Horse, and Mules and Men.
Product details
- ASIN : B071YRWK84
- Publisher : Amistad; Reprint edition (May 8, 2018)
- Publication date : May 8, 2018
- Language : English
- File size : 9587 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 210 pages
- Best Sellers Rank: #169,380 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the authors
Alice Walker (b. 1944), one of the United States’ preeminent writers, is an award-winning author of novels, stories, essays, and poetry. In 1983, Walker became the first African-American woman to win a Pulitzer Prize for fiction with her novel The Color Purple, which also won the National Book Award. Her other books include The Third Life of Grange Copeland, Meridian, The Temple of My Familiar, and Possessing the Secret of Joy. In her public life, Walker has worked to address problems of injustice, inequality, and poverty as an activist, teacher, and public intellectual.
Zora Neale Hurston was born on Jan. 7, 1891, in Notasulga, Alabama. Hurston moved with her family to Eatonville, Florida, when she was still a toddler. Her writings reveal no recollection of her Alabama beginnings. For Hurston, Eatonville was always home.
Growing up in Eatonville, in an eight-room house on five acres of land, Zora had a relatively happy childhood, despite frequent clashes with her preacher-father. Her mother, on the other hand, urged young Zora and her seven siblings to "jump at de sun."
Hurston's idyllic childhood came to an abrupt end, though, when her mother died in 1904. Zora was only 13 years old.
After Lucy Hurston's death, Zora's father remarried quickly and seemed to have little time or money for his children. Zora worked a series of menial jobs over the ensuing years, struggled to finish her schooling, and eventually joined a Gilbert & Sullivan traveling troupe as a maid to the lead singer. In 1917, she turned up in Baltimore; by then, she was 26 years old and still hadn't finished high school. Needing to present herself as a teenager to qualify for free public schooling, she lopped 10 years off her life--giving her age as 16 and the year of her birth as 1901. Once gone, those years were never restored: From that moment forward, Hurston would always present herself as at least 10 years younger than she actually was.
Zora also had a fiery intellect, and an infectious sense of humor. Zora used these talents--and dozens more--to elbow her way into the Harlem Renaissance of the 1920s, befriending such luminaries as poet Langston Hughes and popular singer/actress Ethel Waters.
By 1935, Hurston--who'd graduated from Barnard College in 1928--had published several short stories and articles, as well as a novel (Jonah's Gourd Vine) and a well-received collection of black Southern folklore (Mules and Men). But the late 1930s and early '40s marked the real zenith of her career. She published her masterwork, Their Eyes Were Watching God, in 1937; Tell My Horse, her study of Caribbean Voodoo practices, in 1938; and another masterful novel, Moses, Man of the Mountain, in 1939. When her autobiography, Dust Tracks on a Road, was published in 1942, Hurston finally received the well-earned acclaim that had long eluded her. That year, she was profiled in Who's Who in America, Current Biography and Twentieth Century Authors. She went on to publish another novel, Seraph on the Suwanee, in 1948.
Still, Hurston never received the financial rewards she deserved. So when she died on Jan. 28, 1960--at age 69, after suffering a stroke--her neighbors in Fort Pierce, Florida, had to take up a collection for her funeral. The collection didn't yield enough to pay for a headstone, however, so Hurston was buried in a grave that remained unmarked until 1973.
That summer, a young writer named Alice Walker traveled to Fort Pierce to place a marker on the grave of the author who had so inspired her own work.
Walker entered the snake-infested cemetery where Hurston's remains had been laid to rest. Wading through waist-high weeds, she soon stumbled upon a sunken rectangular patch of ground that she determined to be Hurston's grave. Walker chose a plain gray headstone. Borrowing from a Jean Toomer poem, she dressed the marker up with a fitting epitaph: "Zora Neale Hurston: A Genius of the South."
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I like how the author Zora Neale Hurston used the style of speech Kossula used. I feel that gives a more accurate view to the story being told. The story itself was fascinating, something I could not imagine. How his people and surrounding peoples lived and then on to his story of becoming a slave and then to freedom and how life was after that.
After the story is told there are other stories as told to the author which are interesting. After that a discussion about the author herself. Finally a glossary of terms. All of this is interesting and for me useful information regarding this story.
I give it 5 stars even though I wish there was more. I liked what I read and would recommend it as an essential read.
It surely is not a great book of fiction as Roots but a mandatory complement to it. It clarifies how the African kingdoms were, as suppliers, as guilty of the slave trade as the slavers, European and Arabs, as buyers.