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Dirty Money: A Parker Novel (The Parker Novels) Kindle Edition
Parker’s got a new fence and a new plan to get the loot back from a botched job. But a bounty hunter, the FBI, and the local cops are on his tail. Only his brains, his cool, and the help of his lone longtime dame, Claire, can keep him one step ahead of the cars and the guns in this final Parker thriller.
Praise for Dirty Money
“Entertaining. . . . Stark handles the criminal aspects of his tale with his usual panache.” —Publishers Weekly
“Stark, Donald E. Westlake’s more bad-tempered alter ego, breaks his usual rule and gives women—ballsy Sandra and dispassionate Claire—major roles. Not that Parker takes a back seat for a minute. The man is fiercely conceived, one mean piece of work.” —Kirkus Reviews
“The hard-edged Parker is as resolute and dangerous as ever, and the faithful will stand beside him through every step of this typically involved and entertaining novel.” —Booklist
- LanguageEnglish
- PublisherThe University of Chicago Press
- Publication dateSeptember 8, 2017
- File size656 KB
Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Review
“Parker is as resolute and dangerous as ever.” ― Booklist
“Fiercely distracting . . . . Westlake is an expert plotter; and while Parker is a blunt instrument of a human being depicted in rudimentary short grunts of sentences, his take on other characters reveals a writer of great humor and human understanding.” -- John Hodgman ― "Parade"
“Slamming through a new crime novel by Westlake—and it’s hard to drag your feet once the process starts—is a little like spelunking in a cave system whose twisted paths lead to fascinating galleries and grottoes, some bright and sparkly, some shadowy and frightening. Dirty Money and the other thrillers Westlake writes under the pseudonym of Richard Stark are of the latter category, an exploration of caverns dark and gritty. But even with the ground shifting under your feet and a sense of foreboding in the air, the experience is compelling and oddly exhilarating. . . . Ever the pro, Parker takes each hitch in stride, keeping his eye on the prize.” -- Dick Lochte ― Los Angeles Times
“Acquaint yourself with Stark’s taut, toned brand of noir. . . . There’s no denying the force of his storytelling or his flair for caper comedy: wonderfully, Parker and his gang plan to make their getaway in an old Ford Econoline van with ‘Holy Redeemer Choir’ stenciled on its side.” ― Guardian
“The nice thing about the rather nasty stories Stark writes about a career criminal named Parker is that none of the significant characters is ever innocent. Which is why it’s so easy to laugh when their intricate schemes begin to unravel. . . . Everyone in this merry misadventure ends up at Bosky Rounds, a quaint bed-and-breakfast that looks like the cover art for Yankee magazine—something to bear in mind on leaf-peeing excursions to picturesque New England villages.” -- Marilyn Stasio ― New York Times
About the Author
Product details
- ASIN : B074L168WJ
- Publisher : The University of Chicago Press; Reprint edition (September 8, 2017)
- Publication date : September 8, 2017
- Language : English
- File size : 656 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 300 pages
- Best Sellers Rank: #142,740 in Kindle Store (See Top 100 in Kindle Store)
- #137 in Heist Crime
- #716 in Hard-Boiled Mysteries (Kindle Store)
- #781 in Heist Thrillers
- Customer Reviews:
About the author
Donald Edwin Westlake (July 12, 1933 – December 31, 2008) was an American writer, with over a hundred novels and non-fiction books to his credit. He specialized in crime fiction, especially comic capers, with an occasional foray into science fiction or other genres. He was a three-time Edgar Award winner, one of only three writers (the others are Joe Gores and William L. DeAndrea) to win Edgars in three different categories (1968, Best Novel, God Save the Mark; 1990, Best Short Story, "Too Many Crooks"; 1991, Best Motion Picture Screenplay, The Grifters). In 1993, the Mystery Writers of America named Westlake a Grand Master, the highest honor bestowed by the society.
Richard Stark: Westlake's best-known continuing pseudonym was that of Richard Stark. Stark debuted in 1959, with a story in Mystery Digest. Four other Stark short stories followed through 1961, including "The Curious Facts Preceding My Execution", later the title story in Westlake's first short-story collection. Then, from 1962 to 1974, sixteen novels about the relentless and remorseless professional thief Parker and his accomplices (including larcenous actor Alan Grofield) appeared and were credited to Richard Stark. "Stark" was then inactive until 1997, when Westlake once again began writing and publishing Parker novels under Stark's name. The University of Chicago began republishing the Richard Stark novels in 2008. When Stephen King wrote the novel The Dark Half in 1989, he named the central villain George Stark as an homage to Westlake.
Bio from Wikipedia, the free encyclopedia. Photo by Jean-Marie David [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY-SA 2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/2.5-2.0-1.0)], via Wikimedia Commons.
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Parker was always the most competent and often the deadliest man among the thieves and others he partnered with. He did what needed to be done, and if that involved leaving a trail of bodies in his wake, well then, that was just what the job demanded. No hard feelings.
Along the way, Stark (a pseudonym for master crime writer Donald Westlake) took an extented break from the Parker books between 1974's Butcher's Moon, the sixteenth book in the series, and 1997's Comeback, the seventeenth. The earlier books tended to be leaner and cut closer to the bone. The later ones are not quite so spare and Parker might be just a tad softer. They are still a lot of fun, but the first sixteen are grittier and generally better.
In the twenty second book, Nobody Runs Forever, Parker and his confederates knocked over an armored car that was carrying a little over two million dollars from one bank to another. But the law moved in so swiftly that the gang could not get away with the money. They were forced to stash it in the choir loft of an abandoned rurual church.
In the twenty-third book, Ask The Parrot, Parker is still struggling to save himself in the days after the robbery, and Dirty Money takes place shortly thereafter. Things are still hot; the cops still have roadblocks up searching for the robbers, and they are circulating sketches of the criminals.
To make matters worse, it turns out that the serial numbers on all of the bills the gang stole had been recorded. One of the robbers, Nick Daliesa, attempted to pass one of the bills and was caught. He then killed a deputy marshal and escaped again. Parker knows if Dalesia is caught he will try to trade the stolen money, or worse the identity of the other gang members, in order to obtain leniency.
As much as he hates to do it, Parker must return to the scene of the crime in an effort to recover the money and deal with his ex-confederate before Parker himself is compromised. To make matters worse, a female bounty hunter now inserts herself into the situation, demanding a share of the loot.
It's a lot of fun watching Parker jump from one crisis to another in an effort to keep his life from going completely off the rails, especially when he knows that, even under the best of circumstances, the money will be worth only ten cents on the dollar. A harsher man than I might argue that the book could have been a bit tighter, more along the lines of the earlier entries in the series, but that would be a small complaint and I'm certainly not going to make it at this point.
I put off reading this book for over two years, simply because I couldn't bear the thought that I would never have another fresh Parker waiting for me, and I hated getting to the last page. The book itself may rate four stars, but the series overall is five stars all the way. It's one of the best crime fiction series ever published and I'm already looking forward to starting it all over again.
This is the last Parker novel.
It is volume 24 in a series written over a period of more than 40 years. Its hero is the non-aging professional robber Parker, who has first names only when he is using an alias. Most often he has been Ed. He never became a dad or an opa.
Parker's world has changed over the decades, but the man not much. He adapts to markets and technologies. He is a utilitarian. He has no opinions. He has no social life. He does not chat. He is monogamous since about half way through the series. He is not interested in art or music or books or movies or science or sport or entertainment or politics or history.
He follows things insofar as they affect his livelihood. He has no morals, but he does have an honor code and business ethics. Nobody survives who once tried to cheat him. He will not steal from a colleague on a job.
The only incident in the series that I can remember where racism comes into play is in Breakout, where Parker, unusually, gets caught and jailed and needs to break out. He does that in cooperation with his black cellmate. This happens in a place where races don't cooperate. Parker is not interested in such absurd rules. The breakout partner says the memorable line: he is my exit door, doesn't matter what color the door is. Straight from Michael Jackson.
Humor in the sense of jokes rarely happens in Parker. Humor in the sense of stone faced absurdity happens all the time. Take Ask the Parrot. A non speaking parrot. When he decides to come out of his isolation and begins a conversation, he will not live to regret it. Sad.
Parker has little exposure to police, as he rarely gets questioned and hardly ever arrested. He rarely shows conversational skills, unless he must, as in Ask the Parrot, where he hides among some sadly depressed people in upstate NY and must talk them out of desperate action, like a social worker. Empathy, ok, but sympathy, no way, what a waste.
Volume 24 has the unusual distinction to include 2 police officers from 2 states (NY and MA) who have seen Parker and can identify him. Vastly increased risk level.
Not all 24 volumes are quite of the same excellence. My favorite is the robbery of the Hudson river casino boat, Backflash. None of the 24 is bad or boring.
All 24 start with the same sentence pattern: when this happened, Parker did that... When volume 24 ended, Parker had just laundered and shrunk a heap of dirty money. Also, police had finally managed to put out a good likeness of his on a search poster. The noose was tightening! He needed a new identity. He needed a new project.
And then Stark goes and dies on him. The nerve!