Praise for The City in the Middle of the Night

“A breathtaking work of imagination and storytelling… making the case for Anders as this generation’s Le Guin.” ―Andrew Sean Greer, Pulitzer Prize-winning author of Less

"An intimate portrait of people as much as it is a piece of culturally aware social scifi ― a look at our moment in history through a distorting lens of aliens and spaceships." ―NPR

"Tragic, brave, and so very human...Anders dares to imagine something different, a better way forward." ―Den of Geek

"Classic SF in the mode of Ursula K Le Guin or Octavia Butler....This is a millennial’s novel, featuring young people trying to make their way through an uncaring, corrupt and intermittently violent world....Heartfelt and absorbing fiction." ―The Guardian

"Anders has written a unique book, one that uses tropes found in old-school science fiction to comment on modern side effects of class structures" ―Washington Post

"Original and gripping...The City in the Middle of the Night may be set light-years away, but it’s likely to hit too close to home." ―Paste

"An even stronger novel than Anders’ Nebula Award–winning All the Birds in the Sky; a tale that can stand beside such enduring works as Ursula K. Le Guin’s The Left Hand of Darkness, Frank Herbert’s Dune, and Dan Simmons’ Hyperion." ―Booklist, starred review

"Anders contains multitudes; it's always a fascinating and worthwhile surprise to see what she comes up with next." ―Kirkus, starred review

"An intricate tale of colonialism and evolution on both physical and social levels. Stunningly storytelling that will capture readers' minds and hearts." ―Library Journal, starred review

"Intricate, embracing much of what makes a grand adventure: smugglers, revolutionaries, pirates, camaraderie, personal sacrifice, wondrous discovery, and the struggle to find light in the darkness. Breathlessly exciting and thought-provoking." ―Publishers Weekly, starred review

"Absolutely memorable...terrifying and exciting... makes for a fascinating exploration of humanity and human relationships." ―Hypable

"The kind of didactic, intelligent, critical fiction that interrogates the boundaries of our current moment through broad-scope questions...I couldn't recommend it more." ―Tor.com

"A stunning novel." ―Edan Lepucki, author of Woman No. 17

“A wildly inventive, inventively radical, radically subtle rush of a novel.” ―Audrey Niffenegger, author of The Time Traveler’s Wife

“Like a classic from another timeline… This book has notes of Ursula K. Le Guin and Philip Pullman.” ―Robin Sloan, author of Mr. Penumbra’s 24-Hour Bookstore

“The City in the Middle of the Night does everything right. I f―ing love this book. It is really, really breathtaking.” ―Daveed Diggs, Grammy and Tony Award winning actor

"A tale that unfolds with precision, presenting wholly original ideas, new and beautiful life forms, and chillingly extrapolated and corrupt societies. I highly recommend [it].” ―Anthony Rapp, Broadway star

Charlie Jane Anders is an American journalist, editor, and fiction writer. Her novel Choir Boy won a Lambda Literary Award in 2005. She lives in the San Francisco Bay Area, where she is managing editor of the science fiction website io9.com.

The City In The Middle Of The Night

Tom Doherty Associates

Contents

PART ONE

SOPHIE

{before}

I

Bianca walks toward me, under too much sky. The white-hot twilight makes a halo out of loose strands of her fine black hair. She looks down and fidgets, as though she's trying to settle an argument with herself, but then she looks up and sees me and a smile starts in her eyes, then spreads to her mouth. This moment of recognition, the alchemy of being seen, feels so vivid that everything else is an afterimage. By the time she reaches the Boulevard, where I'm standing, Bianca is laughing at some joke that she's about to share with me.

As the two of us walk back toward campus, a brace of dark quince leaves, hung on doorways in some recent celebration, waft past our feet. Their nine dried stems scuttle like tiny legs.

* * *

I lie awake in our dark dorm room, listening to Bianca breathe on the shelf across from mine. And then I hear her voice.

"Sophie?"

I'm so startled, hearing her speak after curfew, I tip over and land in a bundle on the floor.

Bianca giggles from her bunk as I massage my sore tailbone. I keep expecting some authority figure, like one of the Proctors, to burst in and glare at us for disturbing the quiet time. If you can't sleep when everyone else does, you're not even human.

"Sophie! It's okay," Bianca says. "I just wanted to ask you a question. I don't even remember what it was now." Then she stops laughing, because she understands this isn't funny to me. "You're not going to get in trouble. I promise. You know, we can't even learn anything here unless we think for ourselves occasionally, right? Some rule we learned as little kids doesn't have to keep us in a chokehold forever."

When Bianca first showed up as my roommate, I hid from her as much as I could. I crawled into the tiny space above the slatted hamper in the side washroom, next to the wide sluicing cisterns that people use as toilets here. Bianca was this whirl of hand gestures and laughter, who filled every room with color. When she started trying to talk to me, I assumed she was only taking pity on this painfully shy girl from the dark side of town and I'd just have to ignore her until she gave up.

She didn't give up.

Now I look up at Bianca's shape as I pull myself out of my huddle on the floor. "But you follow the rules too," I say. "Like, you would never actually go outdoors right now. You probably could. You could sneak out of here, wander onto the streets, and the Curfew Patrols might not ever catch you. But you don't do that, because you do care about rules."

"Yeah, I'm not running down the street naked during the Span of Reflection, either," Bianca laughs. "But a little talking after curfew has to be okay, right?"

Bianca makes me feel as though she and I just stepped off the first shuttle from the Mothership, and this world is brand new for us to make into whatever we want.

* * *

Since I was little, I couldn't sleep at the right time, along with everyone else. I tried whispering to my brother Thom sometimes, if I thought he was awake. Or else I busied myself trying to do tiny good deeds for my sleeping family, fixing a broken eyepiece or putting my brother's slippers where his feet would find them most easily on waking. Except my father's hand would come out of the darkness and seize my arm, tight enough to cut off the blood to my hand, until I whined through my teeth. Later, after the shutters came down and the dull almost-light filled our home once more, my father would roar at me, his bright red face blocking out the entire world.

Everything is a different shape in the dark. Sharp edges are sharper, walls farther away, fragile items more prone to topple. I used to wake next to my family, all of us in a heap on the same bedpile, and imagine that maybe in the darkness, I could change shape too.

* * *

Bianca has found another book, way at the back of the school library, on one of those musty shelves that you have to excavate from a layer of broken settler tech and shreds of ancient clothing. This particular book is a spyhole into the past, the real past, when the Founding Settlers arrived on a planet where one side always faces the sun, and had no clue how to cope. "That's what history is, really," Bianca says, "the process for turning idiots into visionaries."

The two of us stroll together into the heart of the city's temperate zone, past the blunt golden buttresses of the Palace, breathing the scents of the fancy market where she always tries to buy me better shoes.

Bianca reads all the time, and she tears through each book, as though she's scared her eyes will just fall out of her head before she finishes them all. But she never does the assigned reading for any of our classes. "I'm here to learn, not study." Her mouth pinches, in a way that only makes her narrow, angular face look more classically perfect.

Even after being her roommate for a while, this kind of talk makes me nervous. I'm still desperate to prove that I deserve to be here, though I've passed all the tests and gotten the scholarship. I sit and read every single assigned text three times, until the crystalline surface blurs in front of me. But everyone can tell I'm an interloper just by glancing — at my clothes, my hair, my face — if they even notice me.

"You're the only one of us who had to work so hard for it," Bianca tells me. "Nobody belongs here half as much as you." Then she goes back to telling me that the Founders were bumblers, right as we pass by the giant bronze statue of Jonas, posing in his environment suit, one arm raised in triumph. Jonas's shoulder pads catch the dawn rays, as though still aglow from the righteous furnace of decontamination.

II

Every so often, Bianca puts on a dress made of iridescent petals, or violet satin, and disappears, along with a few others from our dorm. There's always some party, or banquet, that she needs to go to, to nurture her status among the city's elite. She stands in the doorway, the silhouette of an upward-pointing knife, and smiles back at me. "I'll be back before you know." Until one time, when the shutters close and the curfew bells ring but I'm still alone in our room. I crouch in the gloom, unable to think about sleeping, and wonder if Bianca's okay.

After the shutters open again, Bianca comes into our dorm room and sits on her own bed-shelf. "The party went too late for me to make it back before curfew," she says. "I had to stay with one of the hosts."

"I'm so glad you're okay, I was so worried —" I start to say, but then I realize Bianca's slumped forward, hands clasped in front of her face. Her latest dress, made of silver filaments that ripple in waves of light, bunches around her hips.

"I'm just ... all I ever do is play the part that's expected of me. I'm just a fake." She ratchets her shoulders. "Sometimes I'm afraid everybody can see through me, but maybe it's worse if they can't."

Seeing Bianca depressed makes me feel soft inside, like my bones are chalk. I sit down next to her, careful not to mess up her dress. Her curved neck looks so slender.

Neither of us talks. I'm not good at breaking silences.

"I don't even know why you would want to be friends with me," she says.

I get up and fetch the teapot from down the hall, and a few moments later I'm pouring hot tea into a mug, which I press into Bianca's hands. "Warm yourself up," I say in a soft voice. Bianca nods and takes a big swallow of the acrid brew, then lets out a long sigh, as though she realizes she's back where she belongs. We keep stealing the teapot for our own dorm room, because hardly anyone else uses it, but some busybody always sneaks into our room when we're out and reclaims the flowery globe for the common room, where it technically belongs. "Warm yourself up," I say a second time.

By the time the tea is gone, Bianca's bouncing up and down and cracking jokes again, and I've almost forgotten that I never answered her question, about why I want to be her friend.

* * *

The two of us sit in the Zone House, in our usual spot in the gloomy nook under the stairs, which smells of fermented mushrooms. Upstairs, a ragtime band draws long, discordant notes out of a zither and a bugle, and people discuss the latest football match at that new pitch in the Northern Wastes. Bianca asks what made me want to be the first person in my family — my neighborhood, even — to go to the Gymnasium. Why didn't I just finish grammar school, settle down, and get an apprenticeship, like everyone else?

Her wide brown eyes gaze at me, as though there's more than one Sophie in front of her, and she's having fun trying to reconcile them.

I've always dreaded when people ask me personal questions, but when Bianca asks, I feel a flush of pleasure that goes from my skin all the way inside. She's not asking just to be polite, or using her question as a slender knife to cut me down.

"I always thought I would just go find a trade, like my classmates," I say at last. "But then they wanted me to marry. There was this boy I was friends with at grammar school, named Mark. He and I just stood around, watching everybody, not even speaking except for a word here and there. People saw us together, and they all decided Mark would be my husband. They made jokes, or winked at us, or sang this gross song. The thought of his hands just owning me made me sick to my stomach. After that, I ran away whenever I saw Mark, but I was told I had to go to matchmaking sessions, to find a different husband. They said, 'There's a time to marry and have children, just like there's a time to sleep, and a time to work.'"

Bianca pours more dark water into a tin goblet. "Yeah, they always say things like that. Or like, 'Heed the chimes, know your way.' This town! Everybody has to do everything at the exact same time as everybody else." She laughs.

"I wasn't ready." My voice is a sore growl. "I'd gotten my visitor less than two dozen times when they started with all this marriage talk."

"Your 'visitor,'" Bianca says. "You mean your period?"

I feel myself blush so hard my scalp itches.

"Yes. Okay. My period. But I found out that if I could get accepted to one of the top colleges, like the Gymnasium, I could get a deferral on the marriage requirement. So I became the best student ever. I memorized all the textbooks. I found this place to hide, with a tiny light, so I could just keep studying right up until curfew."

Bianca's staring at me now, a notch between her eyes and an uptick around her thin lips. I shrink into my chair, bracing for her to say something sarcastic. Instead, she shakes her head. "You took control over your life. You outsmarted the system. That's just amazing."

I take a swig from my goblet and search for the slightest sign of condescension or mockery. "You really think so?"

"Everyone else at the Gymnasium is like me," Bianca says, meaning a child of the temperate zone — or really, of comfort. Her parents died when she was very young, and she went to live at a high-powered crèche that groomed her for a leadership role. "We all came to the Gymnasium because we were expected to. So we could graduate and claim our places in government or industry, and help keep this bloody stasis machine whirring. But you? You are something special."

I don't think of myself as special. I think of myself as invisible.

Bianca orders some of the salty, crispy steamed cakes that you have to eat with a special hook, left side first. The first time I tried to eat one, I made a sprawling, wet mess on my table at the Gymnasium canteen, in front of a dozen other students, and then Bianca slid next to me on the bench and coached me in a hushed voice. I still can't look at one of these without reliving my humiliation.

As we eat, Bianca asks what it was like to grow up on the dark side of town, on that steep cobbled street that climbs into deeper shadow, with the acrid fumes from the tannery and the chill wind coming in from the night. Where you woke up as the shutters lowered, to let in the same gray light as before, and you lost a heartbeat, remembering all over again that you'd be working or studying under that pall of gray. But I don't talk about any of that stuff. Instead, I offer her comforting stories about my tight-knit neighborhood: all our street parties, all the people who offered a hand when you were in need.

She looks at me in the weakly dappled half light, under the stairs. "I wish I could be more like you. I want to demolish everyone's expectations. I want to keep surprising them all, until they die of surprise." She's not laughing, but her eyes have the same brightness as when she makes a joke. There's more light in her eyes than in the whole wide sky that I grew up underneath.

III

The Progressive Students Union meets under basements and behind larders. Usually between five and fifteen of us, talking about systems of oppression. Bianca's long black hair hides her face as she leans forward to listen, but her hand brushes mine. A mop-headed boy named Matthew is talking about the ordinary people whose every waking moment is spent at the farmwheels, the factories, the sewage plant, or the power station, until they die.

Then Bianca stands up and her voice rings out, like we're all inside her heart and we can hear it beat. She wears streaks of purple and silver paint, to frame her eyes, and I never want to look away.

"If you control our sleep, then you own our dreams," she says. "And from there, it's easy to master our whole lives."

Everything in Xiosphant is designed to make us aware of the passage of time, from the calendars, to the rising and falling of the shutters, to the bells that ring all over town. Everyone always talks about Timefulness, which could be simple — like, making it home for dinner before they ring the final chime before shutters-up, and the end of another cycle. Or it could be profound: like, you come across a mirror and realize your face has changed shape, and all at once you look like a woman instead of a child.

But nothing in this city is ever supposed to change.

Time should make you angry, not complacent, Bianca says. Back on Earth, our ancestors could follow the progress of the sun from horizon to horizon. They saw change roll right over their heads. Enough of these journeys and even the weather would change, from colder to warmer to colder. This awareness made them fight with all their strength. They were always using violent metaphors, like "Seize the day," or "Strike while the iron is hot."

"Time isn't our prison," Bianca says, "but our liberator." We cheer and snap our fingers, until we all remember the reason we're meeting in a stuffy basement behind barrels of cake batter: we're committing deadly sedition down here.

After the meeting, Bianca gossips to me in our room about Matthew, the guy who spoke before she did. "He took forever just to say that we should have solidarity with other activist groups. He's one of those people who likes to hear his own voice. Nice legs, though."

"Matthew's just nervous," I say. "I've seen how he fidgets right before he's going to try and speak. I think he's in awe of you. And you don't know how scary talking to people can be."

Bianca leans over and touches my wrist. "You'd be a great leader, if you just got out of your shell." She takes a stiff drink, and then says, "You always try to see the worth of everyone. Maybe you're right about Matthew. I'll try to put him at ease next time."

* * *

How long have Bianca and I been roommates? Sometimes it feels like forever, sometimes just an interlude. Long enough that I know her habits, what each look or gesture probably signifies, but recent enough that she still surprises me all the time. According to the calendar, it's 7 Marian after Red, which means the first term is half over. When I'm not talking to Bianca in person, I'm thinking of what I'll say to her the next time we're together and imagining what she'll say back.

Lately, when Bianca talks to me illegally after curfew, I crawl onto her shelf so I can hear her whisper. Her breath warms my cheek as she murmurs about school and art and what would it even mean to be free. Our skins, hers cloud-pale and mine the same shade as wild strawflowers, almost touch. I almost forget not to tremble.

Everybody says it's normal for girls my age to have intense friendships with other girls, which might even feel like something else. Some childish echo of real adult love and courtship. But you'll know when it's time to abandon this foolishness, the same way you know when to eat and sleep. I close my eyes and imagine that when I open them again I will have outgrown all of my feelings. Sometimes I clasp my eyelids until I almost see sparks.

I still haven't gotten used to those times when Bianca has to go to some fancy ball or dinner near the Palace. She'll break out some shimmering dress, made of vinesilk, hanging at the back of her closet, which sways with her body. And she'll hug me and promise to think of me while she's doing her duty at the Citadel. Sometimes lately, I don't even see her for a couple of shutter-cycles, but she always comes back in a strange mood, with sagging shoulders.