Review
"The personal and the political come together in this tale of a nation and a young, newly-married woman, as they push against horizons, stretch boundaries and make painful self-discoveries." -- Rakshanda Jalil, writer and translator
"The Empty Room, writer, scholar and critic Sadia Abbas’s evocative, illuminating debut novel, unveils a vivid portrait of a woman painter and activist creating a life in 1970s Karachi. Exploring the private and public, the personal and political, Abbas’s poetic and psychologically probing story reveals not just her profound grasp of a key moment in Pakistani history, but an artist’s capacity to create a world." ― John Keene, author of 'Counternarratives'
"'Regret is only one kind of torment in a world generous with pain', writes Sadia Abbas. In her debut novel, regret and pain appear in light, luminous hues as the story of a new nation, struggling to retain its democratic resolve, is enmeshed with the story of a rocky marriage. The courage, wit and capacity for love displayed by the characters are sure to linger long after the last chapter has been read." -- Annie Zaidi, author of Gulab and love stories 1-14
"A novel about many compelling subjects—friendship, marriage, art, and politics among them—The Empty Room brilliantly portrays the challenges of a young woman adapting to a problematic marriage and living in a newly formed country, itself full of tension. . . . Sadia Abbas is a welcome voice in fiction. I know I’ll return to this novel again and again." ― Alice Elliott Dark, author of 'Think of England and In the Gloaming'
About the Author
Sadia Abbas grew up in Pakistan and Singapore. She received her Ph.D in English literature from Brown University, teaches in the English Department at Rutgers University-Newark, and is adjunct professor at the Stavros Niarchos Center for Hellenic Studies at Simon Fraser University. She loves long walks, the Mediterranean and, indiscriminately, all sorts of films.
