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Deaf Republic: Poems Kindle Edition
Finalist for the National Book Award • Finalist for the PEN/Jean Stein Award • Finalist for the National Book Critics Circle Award • Winner of the Los Angeles Times Book Prize • Winner of the Anisfield-Wolf Book Award • Winner of the National Jewish Book Award • Finalist for the Kingsley Tufts Poetry Award • Finalist for the T. S. Eliot Prize • Finalist for the Forward Prize for Best Collection
Ilya Kaminsky’s astonishing parable in poems asks us, What is silence?
Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya’s girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them.
- LanguageEnglish
- PublisherGraywolf Press
- Publication dateMarch 5, 2019
- File size1121 KB
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Editorial Reviews
Review
One of the New York Times's 100 Notable Books of 2019
“These poems bestow the power of sacred drama on a secular martyrology. . . . Kaminsky is wonderfully attentive to . . . repeating patterns of details, contributing to the impression that his book is a through-composed whole, rather than simply a sequence of individual poems. . . . By situating these poems in a country at war, Kaminsky forces the reader to consider both the ways in which we define our social belonging and the loyalties according to which we operate. . . . A visit to this republic will not leave the reader unchanged.”―The New York Times Book Review
“Evident throughout [Deaf Republic] is a profound imagination, matched only by the poet’s ability to create a republic of conscience that is ultimately ours, too, and utterly his own―a map of what it means to live ‘in a peaceful country.’”―Kevin Young, The New Yorker
“Described as a ‘parable in poems,’ Kaminsky’s soulful new collection opens on an act of horrific violence before meditating on silence and deafness in times of political unrest. The language is exquisite; the ethical questions Kaminsky poses are provocative.”―Entertainment Weekly
“Re-envisioning disability as power and silence as singing, Kaminsky has created a searing allegory precisely tuned to our times, a stark appeal to our collective conscience.”―NPR.org
“Cutting-edge.”―The Washington Post
“With lyrical and fearless language, Ilya Kaminsky has written an engrossing page-turner that challenges society’s silence, and celebrates the power of community in the face of violent atrocities.”―The Seattle Times
“Deaf Republic is harrowing and damning, if we dare to listen.”―Vox
“[Deaf Republic] is curved with beautiful oddities of phrase. . . . A play in verse, a novel in verse, collective pain in verse―classifications are unnecessary here, as Kaminsky’s book is at its soul a story. . . . Deaf Republic arrives, textured and alive.”―The Millions
“With Deaf Republic, Kaminsky delivers another stunning achievement.”―Kenyon Review
“The peculiar achievement of Deaf Republic―echoey with calls and responses, song and clamor―is that the whole is not simply greater than its parts: it is their counterargument, their antidote.”―Poetry Magazine
“Within the world of these poems, silence becomes both a foreshadowing and an appeal, as these gaps leave room for the reader to participate in the poems’ revolutionary politics.”―The Brooklyn Rail
“[Deaf Republic] sings with a necessary freshness.”―World Literature Today
“Deaf Republic is nurtured by a commitment to poetry as a form of resistance, dialogue, and a noble spiritual vocation―ethos that hearkens back to poetry’s origins and its power.”―Tablet Magazine
“Breathtaking . . . a highconcept interrogation of individual and civic response to political upheaval and collective action.”―American Poets
“Deaf Republic contains some of the most exquisite lines you’ll find in contemporary poetry.”―New York Journal of Books
“Kaminsky demands that we reevaluate our own language ― about deaf culture, about silence itself ― in a time when language in the larger, cultural public square has never been more vitriolic. . . . Deaf Republic is a masterfully wrought collection.”―Los Angeles Review of Books
“Kaminsky speaks of our darkest days, of tyranny and death. Yet he sings of the world―of poetry and dance and sex and love―with the highest praise.”―Commonweal Magazine
“Few poets can claim such originality, intensity of feeling and expression, and conscience.”―Blackbird
“Intoxicating and wondrous. . . . In these sincere, striking poems, Kaminsky posits the beauty of this world as essential.”―BookPage
“Deaf Republic is stringent medicine for all nations, especially powerful ones that have grown slack in their apprehension and practice of the ‘categorical imperative.’ With its lapidary, figurative conceits, this poem that weaves in and out of poetry, drama, and prose as a hybrid and liminal tour de force works on both the stage and page as a poignant reminder for our present age of the proverbial dangers of fascism’s recrudescence.”―On the Seawall
“A contemporary masterpiece.”―Washington Examiner
“Kaminsky’s Deaf Republic is both rigorous and profound. Kaminsky reveals himself as a showman of narrative, informed by a deep sense of character and tension, as well as a skillful lyricist, present with each syllable, each letter, each rhythm the breath makes as it darts its ways around his sparse and elegant poems.”―Michigan Quarterly Review
“A bruising, haunting examination of humanity’s paradoxical reserve for great compassion and endless cruelty, Deaf Republic holds an unsettling gaze on how we love amid chaos and despair.”―Carolina Quarterly
“In Kaminsky’s lines, sound takes visible shape. The ordinary things of the world transmogrify, and a small detail, stripped down, takes on the weight of a country.”―The Critical Flame
“Deaf Republic challenges us to think about listening, silence, and communication in a world that regards both violence and joy with dull indifference.”―Barrelhouse
“A riveting and emotional story line with parallels to the author’s life, which relies on plain spoken diction, repetition, and small moments of romantic desire to anchor its larger political themes.”―Publishers Weekly, starred review
“The product of 15 years of meditation, this chilling work―an important warning about the forces of repression and a quiet salute to the courage of the few who resist―heralds the maturity of an important voice in world poetry.”―Library Journal, starred review
“Stunning. . . . At once intimate and sensual but also poignant and timely.”―Booklist, starred review
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Deaf Republic
Poems
By Ilya KaminskyGRAYWOLF PRESS
Copyright © 2019 Ilya KaminskyAll rights reserved.
ISBN: 978-1-55597-831-0
Contents
We Lived Happily during the War, 3,Deaf Republic, 5,
Dramatis Personae, 7,
ACT ONE: THE TOWNSPEOPLE TELL THE STORY OF SONYA AND ALFONSO,
Gunshot, 11,
As Soldiers March, Alfonso Covers the Boy's Face with a Newspaper, 12,
Alfonso, in Snow, 13,
Deafness, an Insurgency, Begins, 14,
Alfonso Stands Answerable, 15,
That Map of Bone and Opened Valves, 16,
The Townspeople Circle the Boy's Body, 17,
Of Weddings before the War, 18,
Still Newlyweds, 19,
Soldiers Aim at Us, 20,
Checkpoints, 22,
Before the War, We Made a Child, 23,
As Soldiers Choke the Stairwell, 24,
4 a.m. Bombardment, 25,
Arrival, 26,
Lullaby, 27,
Question, 28,
While the Child Sleeps, Sonya Undresses, 29,
A Cigarette, 30,
A Dog Sniffs, 31,
What We Cannot Hear, 32,
Central Square, 33,
A Widower, 34,
For His Wife, 35,
I, This Body, 36,
Her Dresses, 37,
Elegy, 38,
Above Blue Tin Roofs, Deafness, 39,
A City Like a Guillotine Shivers on Its Way to the Neck, 40,
In the Bright Sleeve of the Sky, 4¢,
To Live, 42,
The Townspeople Watch Them Take Alfonso, 43,
Away, 44,
Eulogy, 45,
Question, 46,
Such Is the Story Made of Stubbornness and a Little Air, 47,
ACT TWO: THE TOWNSPEOPLE TELL THE STORY OF MOMMA GALYA,
Townspeople Speak of Galya on Her Green Bicycle, 51,
When Momma Galya First Protested, 52,
A Bundle of Laundry, 53,
What Are Days, 54,
Galya Whispers, as Anushka Nuzzles, 55,
Galya's Puppeteers, 56,
In Bombardment, Galya, 57,
The Little Bundles, 58,
Galya's Toast, 59,
Theater Nights, 60,
And While Puppeteers Are Arrested, 61,
Soldiers Don't Like Looking Foolish, 62,
Search Patrols, 63,
Lullaby, 64,
Firing Squad, 65,
Question, 66,
Yet, I Am, 67,
The Trial, 68,
Pursued by the Men of Vasenka, 69,
Anonymous, 70,
And Yet, on Some Nights, 71,
In a Time of Peace, 75,
CHAPTER 1
ACT ONE
The Townspeople Tell the Story of Sonya and Alfonso
Gunshot
Our country is the stage.
When soldiers march into town, public assemblies are officially prohibited. But today, neighbors flock to the piano music from Sonya and Alfonso's puppet show in Central Square. Some of us have climbed up into trees, others hide behind benches and telegraph poles.
When Petya, the deaf boy in the front row, sneezes, the sergeant puppet collapses, shrieking. He stands up again, snorts, shakes his fist at the laughing audience. An army jeep swerves into the square, disgorging its own Sergeant.
Disperse immediately!
Disperse immediately! the puppet mimics in a wooden falsetto.
Everyone freezes except Petya, who keeps giggling. Someone claps a hand over his mouth. The Sergeant turns toward the boy, raising his finger.
You!
You! the puppet raises a finger.
Sonya watches her puppet, the puppet watches the Sergeant, the Sergeant watches Sonya and Alfonso, but the rest of us watch Petya lean back, gather all the spit in his throat, and launch it at the Sergeant.
The sound we do not hear lifts the gulls off the water.
As Soldiers March, Alfonso Covers the Boy's Face
with a Newspaper
Fourteen people, most of us strangers,
watch Sonya kneel by Petya
shot in the middle of the street.
She picks up his spectacles shining like two coins, balances them on his nose.
Observe this moment
— how it convulses —
Snow falls and the dogs run into the streets like medics.
Fourteen of us watch:
Sonya kisses his forehead — her shout a hole
torn in the sky, it shimmers the park benches, porchlights.
We see in Sonya's open mouth
the nakedness
of a whole nation.
She stretches out
beside the little snowman napping in the middle of the street.
As picking up its belly the country runs.
Alfonso, in Snow
You are alive, I whisper to myself, therefore something in you listens.
Something runs down the street, falls, fails to get up.
I run etcetera with my legs and my hands behind
my pregnant wife etcetera down Vasenka Street I run it
only takes a few minutes etcetera to make a man.
(Continues...)Excerpted from Deaf Republic by Ilya Kaminsky. Copyright © 2019 Ilya Kaminsky. Excerpted by permission of GRAYWOLF PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : B07GDD1BFV
- Publisher : Graywolf Press (March 5, 2019)
- Publication date : March 5, 2019
- Language : English
- File size : 1121 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 98 pages
- Page numbers source ISBN : 1555978312
- Best Sellers Rank: #242,841 in Kindle Store (See Top 100 in Kindle Store)
- #4 in Russian & Soviet Poetry eBooks
- #21 in Russian & Soviet Poetry
- #41 in Contemporary Poetry
- Customer Reviews:
About the author
Ilya Kaminsky was born in Odessa, former Soviet Union in 1977, and arrived in the United States in 1993, when his family was granted asylum by the American government. He is the author of Deaf Republic (Graywolf Press, 2019), Dancing In Odessa (Tupelo Press, 2004). He has also co-edited many anthologies and co-translated a number of poetry collections. He is the recipient of Guggenheim Fellowship, Lannan Fellowship, NEA Fellowship, Whiting Writer's Award, the American Academy of Arts and Letters' Metcalf Award, the Dorset Prize, the Ruth Lilly Fellowship given annually by Poetry magazine. His work appears in such publications as The New Yorker, New Republic, McSweeney's, and The New York Times. He lives in Atlanta.
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To use Ilya’s own words to describe him:
He “makes of aguish
a language.”
And he is
“pecking
every which way at
astonishment.”
THe paper quality and the book are so new and lovely. I couldn't think that it is used (as it stated).
Reviewed in the United States on March 4, 2021
THe paper quality and the book are so new and lovely. I couldn't think that it is used (as it stated).