Kindle Price: | $6.99 |
Sold by: | Amazon.com Services LLC |
Your Memberships & Subscriptions
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
Céilí Kindle Edition
- LanguageEnglish
- PublisherInterlude Press
- Publication dateMarch 17, 2016
- File size3724 KB
Editorial Reviews
About the Author
Product details
- ASIN : B07P1DW4XJ
- Publisher : Interlude Press (March 17, 2016)
- Publication date : March 17, 2016
- Language : English
- File size : 3724 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 190 pages
- Customer Reviews:
About the author
Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Gemel’s current exploration into urban fantasy can be found in her upcoming novel Céilí.
The Los Angeles music scene has not been kind to Devon Caelin. He struggles to fit in and has a streak of bad luck the length of the Sunset Strip. One rare rainy night, he drowns his sorrows from bar-to-bar, until he stumbles into an alley club called Céilí. He discovers that it’s home to a small community of mystical people making their way in the human world and that he found it only because he is Fae himself. With mentoring from the pub’s proprietor, Eldan—a powerful Fae Lord protecting his kind in the city—Devon unearths his past and discovers his magical abilities. His life appears to be back on track—until a member of the Faerie Court is murdered and the secret of their world is threatened.
In Céilí, Gemel’s strengths lie predominantly in two areas: the clear arcs of character development for each protagonist and the ways in which those arcs coincide, and a particular attention to detail.
Devon’s arc is painted clearly through Céilí’s pages, each stroke broad and clean. Not only does Devon’s view of the world broaden the further he immerses himself into the lives of Céilí and its people, but Devon’s perception of himself and his place in that world – and ours – also becomes more clear with exploration. In contrast, Gemel’s other protagonist of the piece – Eldan – approaches clarity from the opposite end of the spectrum. Where Devon’s perception broadens, Eldan’s narrows in an attempt to do more than just plant roots in the ground. Eldan’s arc falls in juxtaposition to Devon’s rise as Eldan searches for an anchor in a mate. The places in which the arcs of each character intersect are the places that the overall picture seems most clear, vivid, and bright. Each comes from their own incarnation of isolation and aimlessness, and in the other, finds a sense of belonging, home, and a renewed sense of what it means to really redefine oneself.
Gemel’s apptitude is also apparent in her attention to detail throughout the book. In constructing the setting for Céilí, Gemel’s words are descriptive enough to paint a startlingly clear picture of the home of the Fae in the mind of the reader, stark in all of its edges and height and warm in its light. Gemel’s depictions of Céilí also feel immensely lived in – from the exploration of the drinks at the bar to the cobwebs cluttering the fourth floor – and as such, contribute immensely to enabling the reader to sink into Devon’s point of view throughout his journey.
In Céilí, there is home.
On the bright side, I appreciated the wide array of supporting characters, which included an amputee, someone using the pronouns zie/zir, a trans man, a lesbian succubus, and what I think was an asexual sprite? The personalities of the group were just distinct enough to remember them from scene to scene, and in the end I was glad that Devon had found such a strong and loving bunch to join. Unfortunately, the plot wraps up so quickly after a long stretch of tension-building that all I really felt was surprise about it being over. Another 10-20k to tie the loose ends and let the emotions play out properly would have been perfect.
No, it’s not a gay bar. I know how you think, because it’s how I think. It’s a place for Fae to congregate in modern-day L.A.—Fae are all sorts of magical folk (faeries, Sirens, and the like). Difference is okay there; non-normativity is the norm. The story begins when Devon, a struggling singer/songwriter, wanders into the bar by chance one night and discovers his own connections to the place—he’s Fae himself, yes, but he also has a strong attachment to the proprietor, Eldan, and a real sense of belonging when he’s there. Plus, the drinks are pretty good (they’re magical drinks, so I assume they’re good).
Ceili tells the story of Devon coming into himself—figuring out his identity as Fae, finding a place in which he just fits, finding the courage to stay there and make it his home. (This might sound a bit familiar to some of us aging gay folk, and it should… A stand-up comic once said that homophobia is the fear of going home’—it’s funny because it’s true, but it’s also true that most of us gay folk have to work harder than others to find a sense of home and belonging and realness. It’s why THE WIZARD OF OZ is all about that. The idea of “home” is really charged for those of us who are so often excluded from one in one way or another.)
It might be no accident that so many of our stories as gay folk are told as sci-fi and fantasy stories, as stories of Other-type beings and learning to live with (and even appreciate) difference, of discovering one’s true nature and finding a community and a way to live in it happily. It also might be no accident that “Fae” (at least as I hear it in my head) is homonymnous (if that’s not a word, it is now) with “fay,” as we gays used to be called. So often, straight culture seems to misunderstand gayness as a search for sameness (after all, the prefix we all accept, “homo”, means “same”). It’s why the preponderance of mirrors and doubles in films about the Horrifying Nature of the Gay (go on, rewatch Hitchcock’s PSYCHO). But it’s really our difference from straights that makes us problematic. It’s our Otherness, the fact that our lives and loves so often don’t adhere to the pattern we’ve all come to accept as normal. Fantasy and sci-fi seem to revel in that potential difference.
So, to heave myself back on track: CEILI is a love story, a slow, planning-into-love story between Devon and Eldan. But it’s also Devon’s story of figuring himself out, finding his place. It’s also Eldan’s story of mentoring and leading (both Devon and the larger community). It’s also the story of the community, of Ceili itself, of how such a place can survive in a largely hostile world. It’s a lot of stories, all braided into an addictive, enticing read.