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English Literature in the Sixteenth Century (Excluding Drama) Kindle Edition
C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.
English Literature in the Sixteenth Century is an invigorating overview of English literature from the Norman Conquest through the mid-seventeenth century from one of the greatest public intellectuals of the modern age. In this wise, distinctive collection, C. S. Lewis expounds on the profound impact prose and poetry had on both British intellectual life and his own critical thinking and writing, demonstrated in his deep reflections and essays.
This incisive work is essential for any serious literature scholar, intellectual Anglophile, or C. S. Lewis fan.
- LanguageEnglish
- PublisherHarperOne
- Publication dateAugust 23, 2022
- File size4281 KB
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Editorial Reviews
Review
"At a time when literary history is hesitantly skirting a desert of technicalities, he has written a book in a great tradition, a book almost overwhelmingly rich and assured." — Frank Kermode, BBC Third Programme
About the Author
Product details
- ASIN : B09MDB27NM
- Publisher : HarperOne (August 23, 2022)
- Publication date : August 23, 2022
- Language : English
- File size : 4281 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 1003 pages
- Best Sellers Rank: #630,635 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
CLIVE STAPLES LEWIS (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a fellow and tutor in English Literature at Oxford University until 1954 when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Mere Christianity, Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics, the Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and been transformed into three major motion pictures.
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What we often forget is that, before he was a Christian and even after, before his wartime broadcast for the BBC, and before Narnia, Lewis was a scholar. He was a Fellow and Tutor of English Literature at Oxford, and he was chair of Medieval and Renaissance Literature at Cambridge University.
In 1944, he gave a series of lectures at Cambridge under the general title of “English Literature in the 16th Century.” He eventually edited the lectures and published them in 1954 as “English Literature in the 16th Century (Excluding Drama).” Almost 70 years later, HarperCollins has republished the volume under its 1954 title. It’s a broad choice of subject, made somewhat easier by the “exclusion of drama,” which means the lectures did not include any discussion of Elizabethan drama, including Shakespeare’s early plays.
Still, the subject is large. And Lewis’s grasp of the subject is large, if not astounding. He covers poetry, theology (and it’s a period of a lot of theology), political writing, philosophy, and fiction. And while academic readers may chafe somewhat, the text is highly readable and accessible by general readers – likely a reflection of how the book started life as a lecture series. At times, it seems almost conversational.
The broad strokes of understanding are simply described. Literature in the 16th century was marked by a battle between the Scholastics and the Humanists, which the Humanists eventually won (I don’t think Lewis viewed that as a positive development). The was marked by the theological battles between, first, the Catholic establishment and the English translators like John Wycliffe, and then the religious wars between the Protestants and the Catholics. Sir Thomas Moe and John Wycliffe were martyred a year apart and for different reasons. Lewis also devotes considerable attention to one of the most important works of the 16th century – “The Book of Common Prayer.”
Lewis notes that, for Scotland, the century began as an almost golden age in literature, while for England it was what he calls the “Drab Period.” No one, he notes, would have expected the Drab Period to eventually give way to the amazing English literature of the last half of the century. But it did, and he says he can’t offer a reason for why it happened.
In detail, he covers the greatest writers of the century – Edmund Spenser, Tyndale John Knox, More, Christopher Marlowe, John Donne, Shakespeare (his sonnets).and many others. His descriptions and understanding make it clear that he’s not only read these authors, he’s read about these authors. The breadth and depth of Lewis’s scholarship is astonishing.
“English Literature in the Sixteenth Century” is not only an in-depth introduction to the great and not-so-great works of the period; it’s also a display of Lewis’s scholarly knowledge and understanding. And it was this incisive mind that also gave us his well-known works on Christianity, which Lewis himself might see as of a piece.
Useful as backround to an BA and also for those intresting in the birth of Science
In this volume, his work on poetry is especially good. Highlights include the stylistic acrobatics Lewis put himself through to avoid saying 100 times of Drab Age poetry: "I don't like it; you won't either; read something else." Cranky? Yes, but insightfully, entertainingly cranky. Then, when he actually turns proselytiser and suggests you read something--well, I'll admit this volume practically by itself has gotten me interested in early Scottish poetry and the great Elizabethans, not to mention equipped me (almost as an afterthought) with more prosodical knowledge than I received in any of my creative writing classes.
This book is good enough to read all by itself. If you have knowledge of the period, so much the better. Lewis has spoiled me as a literature grad student, permanently I hope; no other critic measures up to his combination of insight and memorable prose.
Top reviews from other countries
BOOK 1 - Late Medieval
Close of the Middle Ages in Scotland
Close of the Middle Ages in England
BOOK 2 - "Drab"
Religious Controversy and Translation
Drab Age Verse
Drab and Traditional Verse
BOOK 3 - "Golden"
Sideny and Spencer
Prose in the "Golden" Period
Verse in the "Golden" Period
Epilogue: New Tendencies
"When I began this book, I had the idea of giving each author the space in proportion to the value I set on him; but I found it would not do." Lewis then goes on to outline some of the challenges to his authorship, e.g. even "bad books" require enough space to consider them, if only from the point of view of taste and setting the parameters by which to judge the "good books".
In these 1944 Clarke Lectures at Trinity College, Cambridge, Lewis shows himself to be a master of his craft right at home in the complexities of judging sixteenth century writers and, considering the length of the text, it is easy to understand why he omitted the drama!
Scholarly and lengthy with the real "feel" of the authoritative Oxford Don but, for those not lucky enough to attend the lectures, it is a good substitute.