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Broadway Revival Kindle Edition
That’s just the start of David’s “Broadway Revival Project.” Gershwin wasn’t the only one who died too young. How much influence can one actor-songwriter have on the Great White Way, armed with a suitcase of modern medicine and advance knowledge of nearly 150 years of musical theatre history?
But David’s actions are causing changes to the timeline that have the Rippers—the international time travel research consortium—very worried. So Nate climbs into the SlingShot, determined to track down his brother in 1930s New York, whatever the consequences.
- LanguageEnglish
- Publication dateNovember 28, 2021
- File size2666 KB
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Product details
- ASIN : B09MR3MPNH
- Publisher : Swallow's End Publishing (November 28, 2021)
- Publication date : November 28, 2021
- Language : English
- File size : 2666 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 470 pages
- Page numbers source ISBN : 1732523924
- Best Sellers Rank: #178,367 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
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Top reviews from the United States
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The depth of research is impressive as the author gives us an intimate insiders look at the Broadway scene of the 1930s,40s and 50s through the eyes of a protagonist who is a fugitive from hs own time, living under a new identity and navigating some very difficult personal and romantic problems. She delivers a genuine page-turner. I could not put it down. I had to see wht happened next. Having recently completed a similar novel of my own I can only applaud hers.
This was turned down by traditional publishers. It deserves to be a best-seller. Buy a copy and help make it so.
Well researched and full of obvious love for the history of the theatre, this book was a gem. My wife and daughter, both theatre fans, will be reading it now that I've finished reading it myself. Thanks for a delightful trip through time, with songs, dancing, and insights into the character of Broadway legends.
Ms. Frankos has done her homework in balancing a futuristic world where possibilities to time travel exist, along with a painstakingly accurate and wonderful recreation of 1930s and beyond of Broadway and Hollywood, including details on actual major shows, songs, places and famous people of those periods, and how the lead character decides to try to alter history for the better. Ms. Frankos has woven a tale which I found to be so delightful in its premise and its execution, that I rather took my time reading it, as I frankly didn't want it to end. Highly recommended!
Now, routinely, this is the part of the review where the intrepid reviewer starts pointing out how the writer performed their magic, giving away punchlines and touchs that the reader should be allowed to discover for themselves, and I don't play like that. Laura Frankos has managed to craft a wonderful tale around the Broadway theater that she clearly loves (as do I), highlighting not just that, but also a great deal of insight into the 1930's, when the Broadway scene that has defined musical theater for this last century arose.
The only thing she couldn't do is dip into Morpheus's CD library, and play for us the additional music Gershwin wrote, although reading this book, I found it possible to imagine it playing somewhere, out there, unfortunately just past the limits of our hearing.
But this book is very good -- the historical figures come to life and as a reader I came to care about them and their careers. As for the time traveler...he gets the chance to make his dreams come true, but he also has to pay a price for it. Because let's face it; the time period from the thirties through the sixties wasn't a great time to be a gay man, not even on Broadway. But the author makes it all work in a way that makes this novel a compelling, moving experience. I'd highly recommend it to those who are interested in mid-twentieth century Broadway, those who enjoy time travel stories, and those who enjoy alternate histories even if that history isn't going to change the course of nations.
Top reviews from other countries
Frankos’ first full-length SF novel is an alternate history with a difference. She doesn’t deal with alternate world wars and empires and alien invasions. Her “what if” deals with The Great White Way: Broadway.
In the year 2078, time travel is a Thing. The use of the SlingShot to send travellers into the past is expensive and riddled with political intrigue. Messing with history doesn’t create grandfather paradoxes. Instead, you create Splinterverses, which develop in parallel to our own.
The protagonist is David W. Greenbaum: actor, writer, and composer. His brother is a Ripper – a time travelling historian. The McGuffin is not as world-shaking as trying to stop a World War. His target is George Gershwin, who died from a brain tumour in 1937 at the age of 38.
Gershwin composed for Broadway, films, and for the classical repertoire. What if Gershwin had lived for another 40 or 50 years? More Broadway shows and popular tunes, plus more operas and more contributions to the classical repertoire?
It’s believed that Gershwin had either astrocytoma or glioblastoma. Both are brain cancers that even today have poor survivability. How does David provide Gershwin with effective late 21st century anti-cancer drugs?
Step one – hijack the SlingShot and have himself sent back to the 1930s. Step two – establish an identity for himself, and head for Broadway. Step three – try to get close enough to Gershwin to give him late 21st century anti-cancer drugs.
And so, David W. Greenbaum becomes Joseph David Cohen, whose birth records were conveniently lost in the 1906 San Francisco earthquake and fire. He becomes an Angel of Broadway – one of those brave souls who risk their money backing new shows. Naturally, he fits into the Broadway establishment of the time, and meets up with an awesomely name-dropping collection of writers, actors, producers, composers, and more. No politicians and statesmen and great scientists here!
In its own way, the book addresses an issue in alternate history stories that some authors fail to examine: the basic idea that you can’t just change one thing. You stop a World War – how does that affect history beyond? In this case, if you save the life of a composer or writer, what do they write? What doesn’t get written? If an actor appears in a different play than our history, how does that affect their life? If a new Gershwin show is a hit, does it displace another show that might have been a bigger hit? If you save someone’s life, how might they die in the new timeline?
An excellent read, and a novel take on alternate histories.
I especially liked the "villains" Oscar Levant and Professor Seagull. Real people presented as a stranger would percieve them.
The characters, places and themes all became not only real, but endearing.
The Idea for the story and the use of broadway characters, taught me a little about broadway, of which i am largely ignorant.
More Please. Harry should be proud.