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Cari Mora: A Novel Kindle Edition
Twenty-five million dollars in cartel gold lies hidden beneath a mansion on the Miami Beach waterfront. Ruthless men have tracked it for years. Leading the pack is Hans-Peter Schneider. Driven by unspeakable appetites, he makes a living fleshing out the violent fantasies of other, richer men.
Cari Mora, caretaker of the house, has escaped from the violence in her native country. She stays in Miami on a wobbly Temporary Protected Status, subject to the iron whim of ICE. She works at many jobs to survive. Beautiful, marked by war, Cari catches the eye of Hans-Peter as he closes in on the treasure. But Cari Mora has surprising skills, and her will to survive has been tested before.
Monsters lurk in the crevices between male desire and female survival. No other writer in the last century has conjured those monsters with more terrifying brilliance than Thomas Harris. Cari Mora, his sixth novel, is the long-awaited return of an American master.
- LanguageEnglish
- PublisherGrand Central Publishing
- Publication dateMay 21, 2019
- File size2271 KB
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Editorial Reviews
Amazon.com Review
Review
"The best of Harris's work, and this includes his latest, long-awaited novel, Cari Mora, has just that feeling of absolute, unquestionable reality. Through a combination of elements--a perfectly realized authorial voice, the steady accumulation of terrible details, an empathetic vision of lost and damaged souls--Harris has created a sense of dreadful intimacy that we cannot escape, that forces us to gaze at unthinkable things, and never look away. No one has illuminated this kind of darkness more thoroughly or effectively than Harris. It seems unlikely that anyone ever will." The Washington Post
"This page-turner begins intensely, builds in suspense then executes a high-action finale . . . Harris writes in cinematic takes and doesn't waste words . . . a good, fiendish read." USA Today
""A less accomplished or ambitious writer might have crafted a worthy thriller with only one or two of the story strands that Mr. Harris weaves; but the several plot elements in Cari Mora are always in fine balance, as befits the work of a unique master still at the top of his strange and chilling form."" Wall Street Journal
"[Cari Mora] is delectable . . . as well as smart and tough and emotionally and physically scarred, all of which makes her a worthy adversary for the various monsters." New York Times Book Review
"Cari Mora is Harris' response to the Me Too movement. He already has proven his mastery of complex female characters in the form of Clarice Starling, but the protagonist and title character here takes things to another level . . . The result is a novel that is extremely well-written from start to finish and gives us a heroine to both root for and respect." Bookreporter.com
"[Thomas Harris's] latest is another penetrating exploration of signature themes--the nature of evil, the persistence of trauma, and the strange, fateful gravity that so often seems to exist between individuals on either side of law and morality . . . It's an electric setup, and Harris handles the suspense as finely as you would expect from one of the genre's foremost practitioners. Cari Mora will keep readers up all night in the best possible way."CrimeReads
"Harris builds the plot skillfully, with violence and betrayal punctuated by moments of calm and reminiscence. The contest for the gold turns into a fight for survival that rockets to the final pages. Cari Mora is a pulse-pounding thriller, and Cari is an engagingly badass character."Tampa Bay Times
"Cari Morais at its best as a sustained meditation on the ineffable extent of humankind's capacity for brutality in the name of personal gain... carries an irony befitting Harris's ongoing consideration of how light and dark are often interchangeable."" Slant Magazine
"It's vintage Harris, with nice twists and elegant ways of expressing just how bad bad people can be . . . Refreshingly, entertainingly creepy and with nary a fava bean in sight." Kirkus Reviews
"The heist story that makes up the bulk of Cari Mora is inventive and crisp, with a prose style that owes less to the floridness of the last two Hannibal novels than it does to the late and much-lamented Elmore Leonard."Slate
"Harris explores the dark side of human passion in this pulse-pounding novel. His first book in 13 years,Cari Mora will not disappoint fans of disturbing, taut thrillers." BookPage
"For Thomas Harris fans, Cari Mora will be comfort food: whimsically brutal and odd and silly, lacking only Hannibal's signature cannibalism." Oregonian
"With Cari Mora, Harris does what he does best--takes us on a spine-tingling, edge-of-your-seat ride steeped in intrigue and nail-biting suspense. You will not sleep. You will not eat. This book screams to be devoured in one sitting." Pittsburgh Post-Gazette
"There is no doubting that Mr. Harris is the undisputed king of memorable grotesquerie . . . one has no choice but to recommend Mr. Harris's highly skilled performance." The East Hampton Star
About the Author
Product details
- ASIN : B07HWS7XYY
- Publisher : Grand Central Publishing (May 21, 2019)
- Publication date : May 21, 2019
- Language : English
- File size : 2271 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 321 pages
- Best Sellers Rank: #429,761 in Kindle Store (See Top 100 in Kindle Store)
- #4,761 in Serial Killer Thrillers
- #5,113 in Psychological Thrillers (Kindle Store)
- #7,319 in Crime Thrillers (Kindle Store)
- Customer Reviews:
About the author
A native of Mississippi, Thomas Harris began his writing career covering crime in the United States and Mexico, and was a reporter and editor for the Associated Press in new York City. His first novel, Black Sunday, was published in 1975, followed by Red Dragon in 1981, The Silence of the Lambs in 1988, Hannibal in 1999 and Hannibal Rising in 2006.
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Set in modern day Miami, Cari Mora wastes little time in establishing its premise: a cache of gold is stored beneath a house that once belonged to drug kingpin Pablo Escobar, and the sharks are circling. Numerous factions are readying their efforts to take the gold out of the house, no matter what traps Escobar might have left, and caught in the middle of all of that is housekeeper Cari Mora, a young woman who fled horrors in Columbia attempting to find a fresh start in America, but whose childhood experiences left her more hardened than a first assessment of her caring exterior might reveal.
Cari Mora is a lean book - just over 300 pages - but that brevity works to the story's credit, paring down all the excesses and delivering a taut, tense heist thriller where everyone is working their own game and is playing the situation for their own advantage. The book unfolds in short bursts, with power plays, armed incursions, assault forces, brutal deaths, but Harris's brief chapters make each incident have an impact all its own, keeping things moving at a rapid-fire pace that only increases the unfolding tension and keeping any of the players from having much time to truly gain an advantage.
Beyond the crime aspects of the novel, Harris finds himself compelled, just as he was in Silence of the Lambs, by those who have been wounded by the world but strive for something bigger than themselves. That's most evident in Cari, of course, who emerges from the novel as a sort of spiritual cousin to Clarice Starling - a woman whose past traumas have made her the person she is today, but who is also determined to shape the world around her to prevent those traumas from being paid forward to anyone else. Cari Mora is unmistakably a crime thriller - this is about the stealing of gold from a drug kingpin, after all - but what makes the book work is the rich (and colorful) cast of characters, of which Cari herself is just one piece. At times, the book feels almost like an ensemble piece, and as such, Harris makes the outcome of the heist matters by exposing us to all the players involved, thus making the violence and death more impactful, to say nothing of investing us in the ultimate question of who gets the money. That's not to say that Harris doesn't hesitate to give this scenario monsters - the book's main villain, a Paraguayan named Hans-Peter Schneider, is a chilling sociopath whose cruelty stretches far beyond a ruthless desire for gold - but the book feels constantly driven by even the most inhuman characters and their needs and desires, not simply by the plotting of the author.
Just because the novel is generally driven by its cast doesn't mean that there's not some engaging and fun plotting here, however. Cari Mora is part heist novel and part chess game, with Schneider's ruthless depravity on one side and a crime lord named Don Ernesto on the other, with each making moves on the gold through people on the scene. And, of course, Harris has some nasty surprises to come along the way, with a sly sense of black humor coming through as it turns out there's more than just Escobar's paranoia keeping them from getting the gold, to say nothing of some of the extraneous plot elements as both Schneider and Ernesto start making moves unrelated to the gold heist. But what makes Cari Mora work is the way the characters drive all of the plotting, giving readers a piece of pulp Miami crime storytelling where the larger-than-life characters and their interactions are as important, if not more so, than the deceptively simple crime at the book's core.
Cari Mora isn't much like Harris's other books, and it's an especially far step away from the Lecter books that have made him so well-known. There are glimpses of the psychological depths he brought to those books, but not the same deep dives into disturbed minds, nor the sense of impending horror that loomed over something like Black Sunday. Instead, this is Florida crime, with two crews of criminals all scheming and betraying each other in the name of gold, and with even the "innocents" at the book's core not that innocent. But through it all, Harris has always made clear his interest in rising above the trauma of your life and finding a way to make peace with your demons, and Cari's journey is ultimately one that feels like a crime novel take on Clarice Starling. That may not be enough for a lot of people who expected another Red Dragon or a horror opera like Hannibal, but taken for what it is - a lean, nasty, fun little crime novel - Cari Mora is a great summer read.
Thirteen years. It is impossible to NOT be overly excited when one of my favorite authors of all time announces a new book after a little over a decade. I pre-ordered. I waited. It was to be set in a different world than Lecter, but that was fine. I loved Black Sunday, too. And then it was here, delivered on release day. YES!! The review that follows is my honest reaction to reading this newest from Harris: part joy, part disappointment, and a bit of bewilderment.
Let’s start with the bewilderment. I innocently opened Goodreads to update my status to “currently reading” and saw some kind of insanity happening. A very low preliminary rating….ON THIS?! I, as a matter of principle, do not usually read reviews of a book I am about to read. Nope, no thanks. So I just skimmed a bit and saw complaints of the normal variety for most books – the writing, it’s boring, and on and on. What really kind of surprised me, but also didn’t, was the number of people commenting on how this wasn’t Silence of the Lambs, etc. Fans can be rough, man. This made me determined to read this book as openly as I humanly could, to forget who the author was and his previous works. I think I succeeded for the most part.
I am not one to dwell on things I did not like about a book, so here goes. The plot is a bit scattered, the villain didn’t “villain”, and there are interjections and/or brief sentences that seem disconnected and pulled me out of the story. The synopsis above is AMAZING. I know they aren’t meant to be everything about the book, I do read quite a bit, but Harris has other threads and pieces of information that make what could be a tight, tense premise a bit, well, fractured. Hans-Peter Schneider has this potential to be a spectacular, evil antagonist. I know I promised to read this without thinking of Harris’ other books, but imagine someone who could encompass the best parts of Hannibal Lecter and Francis Dolarhyde. SWEET! But it didn’t happen, not for me. I am sad.
Finally, the joy. See the quote I opened the review with? There are gorgeous pieces of writing and atmosphere throughout this book. I wish they could’ve lended more continuity to the book, but I was glad for them when they happened. Beyond the writing, I love Cari Mora as a protagonist. I wanted more of her! Most of my favorite parts of this book involve her, her backstory, and her actions. It is evident that Harris has really done his research into Columbia, child soldiers, and the flora and fauna of Miami.
Overall, I landed on a three for this book. I am not angry as others seem to be, nor am I in love. I am, however, thankful for a good read and I remain a constant reader of Harris’ work.
Top reviews from other countries
The story is dull, the chariters aré not real. Is not indicares for a film